I'm seriously wondering whether I dare jump in here, but someone way up there on this thread (I think it was Glueman, but I can't now find it) said that they never use more than ten words to introduce a song. I find that very sad. I'm not suggesting lectures, but conversationally toned intros. just putting songs in context is surely going to enhance an audience's enjoyment of the songs. Obviously too one picks where one does that - i.e. it needs to be somewhere where the audience is actually quiet enough to listen to the intros. - a (folk) club, concert or village hall - not a pub gig or anywhere where the audience couldn't give a damn. And this doesn't just apply to 'folkie' audiences - it's been my experience in village hall gigs with not a folk enthusiast in sight. In fact, those are the very people who sometimes need the songs put in context, because they're not used to the genre, and it helps them to understand where these 'strange' songs are coming from. And how do I know what they think? - because they've come and told me afterwards how much they've enjoyed the fact that we do tell them something about the songs - sometimes with the words, 'I didn't think I liked folk music, but ...' No, introductions are not for all people, circumstances or venues, but they have their place, and with skilled introductions can make a real difference to people's perceptions. Barbara
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