Thank you, thank you, thank you all! We had a practice last night and decided more or less on a working set list (which may change), which will be something approaching this, chronologically, running order to be decided. What actually gets put in or left out may well depend on how quickly we learn a piece (which often has little to do with what you *intend* to learn! Have you ever discovered that you practice one thing hard while learning something else accidentally by osmosis?):

MEDIAEVAL
Miri It Is c.1225 anon, England
Edi Beo Thu, Hevene Quene Late 13th c. anon, England
Adam lay ebounden 14th c, 13th c anon, England, music N von Reuental
Stella Splendens 14th c. anon, Catalonia
The Salutation / Bring Us In Good Ale c.1460 trad, England
Noel Nouvelet 15th c. trad, France

RENAISSANCE & BAROQUE
Joseph Leiber Joseph Mein c.1500 trad, Germany
Grene Growith The Holy c.1513-20 ?King HenryVIII, England
Westron wynde c.1513-20        anon, England
Tourdion: When I'm drinking 1529 trad, France (Attaingnant)
Coventry Carol c.1534 trad, England
The Night Watch        1597 Anthony Holborne, England
There comes a ship a sailing c.1470–1626 trad, Germany
Personent hodie / branle de l'Official / [mystery tune] 14th–16th c, 1589 trad, France
Robin is to the Green wood Gonn 1590 trad, anon, England
When That I Was        c.1601 trad, England
Remember O thou man 1611 Thomas Ravenscroft, England
Neuer weather-beaten Saile 1613        Thomas Campion, England
The little Barly-Corne 1618-1658? trad, England
To drive the cold Winter away 1625 trad, England
In the Fields in Frost and Snow 1709 Tom D'Urfey

Also possible:
Angelus ad Virginem                         
Campion's Now Winters Nights                        
Chestnut (or Dove's Figary) etc. Playford set
The Pedler opening of his Packe        
Dowland's Mistress Winter's Jump        
Holborne's Nowel's Galiard