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User Name Thread Name Subject Posted
GUEST,Suibhne Astray Our debt to Central Asia (musical instruments) (16) RE: Our debt to Central Asia (musical instruments) 05 May 12


Looking at it another way, the BOW as such could well develope from the very long wooden plectra that were used on ancient North African LYRES. With such a thing it is possible to 'bow' a string, much as one may 'bow' a violin using the wood of the bow. The Korean Kyagum was also played with a resined stick rather than a haired 'bow' as such. Certainly the earliest instruments we see being played with a bow in Medieval iconography are lyres rather than lute-types (fiddles) & the Bowed Lyre tradition endured in Northern Europe from the middle-ages into the 19th century with such folk instruments as the Talharp, Jouhikko (horse hair strings bowed with horse hair) and Crwth, all of which have seen significant revival & reinvention in recent years. I might note here that the Karandeniz Kemence has steel strings played with a bow of silk threads. I also note that whilst I customarily shred horse hair bows on my fiddle, not one strand of silk have I snapped in 6 years of Kemence playing.


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