From: Ruth Archer - PM
Date: 29 Jun 09 - 04:36 PM
Tam:

I have posted this previously on Mudcat, but it was somtome before you joined. You might be interested:
'I'm quoting from an article written by Derek Schofield in English Dance and Song magazine, summer 2005:

"Forty years ago, the only English traditional, or revival, dance group who blacked up were the Britania Coco-nut Dancers from Bacup."

"There are references to people blacking up as a form of disguise in popular custom, although in Heaney and Forrest's book 'Annals of Early Morris', there is only one reference to black-faced morris dancers in the period they studied (up to 1750), and that is from the mid-sixteenth century."

The article goes on to discuss how black-faced minstrelsy took hold in America from the early 19th century, and eventually made its way to Britain and enjoyed huge popularity here by the turn of the 20th century: "no village concert was complete without a few minstrel songs."

The piece goes on to discuss the incorporation of blacking up into "traditional" events: "There would seem to be little doubt that the black faces of the traditional morris dance groups of the Welsh Border counties were at least influenced by minstrelsy. The occasional use of banjoes, bones and tambourines in these morris dances cannot be mere coincidence."

I apologise for the brief and piecemeal nature of these quotes, and for the lack of context (especially to Derek) - sadly the whole article is not available on-line. But I can tell you that it makes a pretty convincing case for the influence of minstrelsy on blacking up.

So then the question is, if blacking up and minstrelsy were once intrinsically linked, does it matter today?'

Derek went on to add in the same thread:

'Having looked into blacking up for the EDS feature that Ruth Archer has kindly quoted from, there is undoubtedly an influence on English folk culture from minstrelsy. Bacup may be one, Padstow mummers may be another, the 20th century traditional Border morris which has been copied by revival sides might be another.
The question is ...has the blacking up transcended its origin and now have a life of its own?
Does this practice offend sectors of our society? (And I don't mean just the black members of our society ... white people might also be offended).
And if so, are we prepared to do anything about it?'


Another quote from the same thread, from Dave Hunt:

'A version of the 'A' part of the tune is also used for the tune known as 'Clee Hill' as collected from Dennis Crowther who is from that area, which is not far from Ludlow in South Shropshire. The tune was used by the morris/molly dancers from Clee Hill area and in 'pre-PC' days was known as 'The niggerin' tune' as the dancers went out with blacked-up faces and called it 'Goin' out a-niggerin' The use of the term molly instead of morris,was common in Shropshire and I have met people who remembers 'Going out molly-dancing' in East Shropshire in the 1930s-40s '

And something else that I said later on in the same thread:

'Finally, a few people have said that it would be interesting to hear from a black person what they feel about all of this. Well, the article from EDS that I quoted earlier interviewed several people about the practice, including a dance caller named Nigel Hogg. This is what he had to say:

"I have watched many different dance groups around the country, and on certain occasions I have seen groups black up to perform. As a mixed race man I do find this tradition offensive because I see it as a parody mocking people of colour. I would imagine that the people who perform these dances are not racists, and on some levels the people involved have not even though about the implications these dances might have to people of colour." '