I am opposed to the insipid and the fatuous, offended by the lascivious and the salacious, surprised and delighted by the serendipitous, impressed by the perspicacious, troubled by the concupiscient, maleficent, and conundrumatical, empowered by the meritricious, and utterly apalled by the aesthetic bereftitude of the parallelogramaticallismically unsound (as seen in some modern architecture these days)!