Dear Neal,
Now you have got me thinking.
Catspaw's friend is inspiring "I know it's there somewhere" and your approach to finding undiscovered chord progressions is reassuring, because I'm constantly trying not to make a mistake

What do you think about my approach. You may think this is crazy but, when I'm creating a tune I play the banjo as if I have my hands on an ouiji board. For some odd reason my fingers seem to know where to go and I don't question it much. When I make a mistake, I'm learning that my fingers are saying, "that wasn't a mistake, yep, put your finger there", and oops, another mistake, "nope, no mistake silly, pick that, ya that, over there". It may seem very odd, but this is how I develop a tune

Many thanks for your creative thinking on this thread.

Little Neo