The Mudcat Café TM
Thread #101762 Message #2057767
Posted By: Greg B
21-May-07 - 01:00 PM
Thread Name: BS: Does Being Dark Matter?
Subject: RE: BS: Does Being Dark Matter?
I find the Star Trek reference interesting, in that it's a TV series which found its niche at a time when the politics of race were coming to the fore in California.
Other trivia which may or may not be relevant: Nichelle Nichols (Uhura) and Star Trek producer Gene Roddenberry were lovers, and Nichols has supposedly said this may have helped her land the role ( http://www.nndb.com/people/503/000022437/ )
I find it somewhat interesting that the vision of the 23rd century in Star Trek was such that racial and cultural identity remained strong in the human race. The only venture into the idea of 'mixed race' is in fact Spock. I would submit that, to the late-1960's audience, the idea of a half-human was more palatable than a mixed-human-race character! Witness that when you see human couples on the series, they're never or mixed race. Even Kirk, in full (and frequent) rut, is never amorous with a woman 'of color' in the conventional sense. With green hair, yes. With brown skin, no.
Then again, Star Fleet officialdom, at the highest levels (see for example the episode Court Marshall where the senior officers are of mixed race, but note, never female, then again, Enterprise under Captain Pike prior to Kirk apparently had a female first- officer.
Since we're onto the subject of women, note the uniforms. The men were in eminently practical pants and tee-shirts, though their heels may have been a bit much. The women, on the other hand, had hair-dos that would take hours to produce, had lower necklines and very high hemlines, along with what could best be described as go-go boots. Eye-candy in the 60's sense, yes. Sexist, too. The airlines quickly adopted such uniforms for their 'stewardesses.' As they said, 'Fly the Friendly Thighs of United.'
In many ways, we've already progressed beyond Roddenberry's vision of an integrated society...in the same fashion that much technology has progressed beyond the original series' vision--- for example the blinky lights and rocker-switches on the bridge set, not to mention the computer making a sound like a model 33ASR teletype.