You can fight all day over what to call it, but whoever wins the argument will find few acts to top the aforementioned "Capella".

Not only are their harmonies superb, and their choice of material inspired, but the completely unexpected sound achieved by Tony's counter tenor and Leslie's deep contralto, is stunning on first hearing, and insistently begs revisiting.

They are simply different, and it is a mystery to me that they are not at least as well known as CMR.

Don T.