I agree with Don Firth. I have been singing songs for sixty years or more, now. Some,
I just can't remember the lyrics any more but I have lived with many of these songs, know where they came from and their important meanings. So I need cheat sheets occasionally.

When I sing for an audience, I don't keep my eyes on the book. I'll use them as a reminder.

I have studied these songs I sing for a long time, done my own research and have asked
those who had them in their tradition about that culture.

Rise Up Singing serves a function to bring people together but it should be augmented
by the leadership of those who really know these songs from having lived with them. The best leadership is musical sensitivity and knowing where to add what and when.

The problem lies with the lack of sensitivity of many participants who confuse participation with the license to "do their own thing" and the hell with everyone else. When you are in any social setting or group it is important to be mindful of that group, their needs and interests. The most satisfying feeling comes from the blending of many voices singing musically whether they've memorized the song lyrics or not. Those who can harmonize offer so much dimension to the experience as well. The appropriate instrumental accompaniments are best played simply and unobtrusive.

In short, any "show-offiness" (if I can Colbertize) that hinders the wonderful feeling
of harmony in a participation of singing sticks out like a disease.

Less is more, often enough, but sensitivity and understanding of the material makes all
the difference.

Now my carp with RUS is that the print is too damn small so that you stick your nose in the book and don't look at others. Being mindful of others is what makes the song/sing
a wonderful experience.

Frank Hamilton