Notes: Though there are indeed many variants on the "Stormalong" theme, this one can easily be consider distinct. It's one of the few in Sharp's EFC text that he did not collect from John Short; he got it from Robert Ellison of London. Hugill got it from Harding. Sharp's makes more "sense" to me, melodically. Hugill's, assuming it is accurate, has an interesting 2-tonal-center quality to it.
I've not yet heard any renditions of this, so my own, meant to illustrate Hugill's text, is based only on it and my imagination. recording
Please do offer the names of any other recordings/performers of this one, and their source for learning if possible.