The Mudcat Café TM
Thread #3018   Message #2618255
Posted By: bobad
24-Apr-09 - 10:04 PM
Thread Name: Origins: Stagger Lee / Stack O'Lee / etc.
Subject: RE: Origins: Stagger Lee
The Stackalee Variations

Excerpts from the Wikipedia page about Stackalee:

"William Lyons, 25, a levee hand, was shot in the abdomen yesterday evening at 10 o'clock in the saloon of Bill Curtis, at Eleventh and Morgan Streets, by Lee Shelton, a carriage driver. Lyons and Shelton were friends and were talking together. Both parties, it seems, had been drinking and were feeling in exuberant spirits. The discussion drifted to politics, and an argument was started, the conclusion of which was that Lyons snatched Shelton's hat from his head. The latter indignantly demanded its return. Lyons refused, and Shelton withdrew his revolver and shot Lyons in the abdomen. When his victim fell to the floor Shelton took his hat from the hand of the wounded man and coolly walked away. He was subsequently arrested and locked up at the Chestnut Street Station. Lyons was taken to the Dispensary, where his wounds were pronounced serious. Lee Shelton is also known as 'Stagger' Lee. " (St.Louis, Misouri, Globe-Democrat article from 1895)

Lee Shelton (also known as Stagger Lee, Stagolee, Stackerlee, Stack O'Lee, Stack-a-Lee and by several other spelling variants) was a black cab driver and a pimp convicted of murdering William "Billy" Lyons on Christmas Eve, 1895 in St. Louis, Missouri. The crime was immortalized in a blues folk song that has been recorded in hundreds of different versions. Lee Shelton was not just a common pimp, but as described by Cecil Brown, "Lee Shelton belonged to a group of pimps known in St. Louis as the 'Macks'. The macks were not just 'urban strollers'; they presented themselves as objects to be observed."

Shelton died in prison in 1912, of tuberculosis.

-Stackalee is, along with John Henry, the most important figure in afro-american oral traditions, one of the most persistent too, his legend being present in almost every new stage of developement of afro-american music in the 20th century. In a way he is the opposite of John Henry, his negative side, surely a "bad" man, with all the clichés of violence, gambling, booze and women surrounding him, but nevertheless became a "hero" for the black community, a symbol of resistance against white supremacy and racism.

-I found some really great articles on the net about Stagger Lee: The Stagger Lee Files is a great place to start exploring the myth and the legend, Stagger Lee.com has a very complet historical page and also a list of 421 recordings!, from Early Blues.com, there's a superb essay by Max haymes and here, another brillant essay by Angela Nelson who analyse the figure of Stagger Lee in rap music.

-There are two books also of interest on the subject, Cecil Brown's "Stagolee shot Billy" and Greil Marcus's essay "Sly Stone and the myth of Stagolee" in his book "Mystery Train".

-I've selected 60 performances, trying to represent all the musical traditions that shared the song and his legend. Once again, like "The John Henry Variations", i've classed the tracks according to musical thematics but once you have download them all, it's good to mix them, to make your own list of favorites,etc…

http://oldweirdamerica.wordpress.com/