Hi, Reinhard - I'm trying to document all the songs in the Rise Up Singing Songbook into a companion database like the one we just finished for the sequel, Rise Again. I'm indexing Wikipedia entries, Mudcat threads, artist Websites, Roud Number, and "Other" (usually Traditional Ballad Index, Hymnary.org, and a few others)....and sometimes even Mainly Norfolk.

So, yes, I had planned to get to the Traditional Ballad Index entry...in due time. But here it is now:

Brightest and Best

DESCRIPTION: "Hail the blest morn when the great Mediator down from the regions of glory descends." The song describes the baby Jesus's humble birth and the feeble gifts they offer him. "Brightest and best of the sons of the morning, Dawn on our darkness...."
AUTHOR: Words widely credited to Reginald Heber (1783-1826)
EARLIEST DATE: 1811 (Christian Observer, according to Marilyn Kay Stulken, _Hymnal Companion to the Lutheran Book of Worship_, Fortress Press, 1981, p. 185)
KEYWORDS: religious Jesus Christmas gift
FOUND IN: US(Ap)
REFERENCES (3 citations):
Ritchie-SingFam, pp. 150-151, "[Brightest and Best]" (1 text, 1 tune)
Ritchie-Southern, p. 55, "Brightest and Best" (1 text, 1 tune)
ADDITIONAL: Ian Bradley, _The Penguin Book of Carols_ (1999), #13, "Brightest ans Best of the Sons of the Morning" (1 text)
Roud #5743
RECORDINGS:
Ritchie Family, "Brightest and Best" (on Ritchie03)
ALTERNATE TITLES:
Star in the East
NOTES: Earlier editions of this index credited this piece to Reginald Heber (1783-1826), on the basis of Irwin Silber's The Season of the Year. Ian Bradley's The Penguin Book of Carols also attributes the song to Heber, and says it was the first hymn he wrote. The New Oxford Book of Carols , however, credits the arrangement to William Walker, while submitting that the "refrain and vv. 2-4 [are] after Reginald Heber." But Spaeth, in A History of Popular Music in America, places the whole thing in the hands of Walker.
Heber's most important other work is probably "Holy, Holy, Holy, Lord God Almighty." He also wrote "From Greenland's Icy Mountains" and "God, That Madest Earth and Heaven."
George Pullen Jackson does not mention either Walker or Heber; he finds it first in William Caldwell's 1837 Union Harmony (but it's not clear whether this is text or tune or both).
Bradley cites Routley to the effect that 19 different tunes have been used for this set of lyrics. I don't have a full list, but I find in my library:
The Lutheran book The Parish School Hymnal of 1926 lists the tune as by J. P. Harding (1861-?).
The phrase "sons of the morning" is thought to have been inspired by Isaiah 14:12, which the King James Bible renders "How art though fallen from heaven, O Lucifer, son of the morning!" This has sparked some controversy, because "Lucifer" is equated with Satan. But this is one of those over-reactions to the King James rendering. The translators used "Lucifer" in its Latin sense of "Light-bringer," which is a fair rendering of the Hebrew word which means something like "one who brightens." Modern versions render the Hebrew word something like "Day Star"; it's thought by some to be a reference to the pretensions of the Kings of Babylon.
I'm a bit leery of this whole interpretation anyway. The idea of "Children of Light" or "Children of the Morning" is a common one in mythology, and might just have occurred to the author (whether Heber or someone else) because it sounds good.
John Julian, editor, A Dictionary of Hymnology, 1892; second edition 1907 (I use the 1957 Dover edition in two volumes), p. 182, has quite a bit to say of the song:
"Brightest and best of the sons of the morning. [By] B[isho]p R[eginald] Heber. [Epiphany.] 1st pub[lished] in the Christian Observer, Nov. 1811, p. 697, in 5 st[anzas] of 4 l[ines] (the last being the first repeated); and again in his posthumous Hymns &c., 1827, p. 25. Few hymns of merit have troubled compilers more than this. Some have held that its use involved the worshipping of a star, whilst others have been offended with its metre as being too suggestive of a solemn dance."
Julian, although accepting without hesitation the attribution to Heber, notes a Presbyterian hymnal which attributes it to Tate and Brady. He also notes a Latin translation, "Stella, micans coelo nitido magia omnibus una," by Reverend R. Bingham.
Julian, pp. 503-504, offers a brief biography of Heber, beginning "Born at Malpas, Apil 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; B[isho]p of Calcutta, 1823; d[ied] at Trichinopoly, Indian, April 3, 1826." He showed his skills as a poet from a young age, and was a friend of Southey among others; he wrote most of his works during his years at Hodnet, during which time he also engaged in literary scholarship; he gave up literature when he took up his episcopate. Julian lists more than two dozen hymns from his pen, but apart from "Brightest and Best," the only two I've ever encountered are "From Greenland's icy mountains" (which, Julian notes, has mentions of India but was written before Heber transferred there) and "Holy, Holy, Holy, Lord God Almighty." - RBW
Last updated in version 3.7
File: JRSF150

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