The Mudcat Café TM
Thread #157325   Message #3943483
Posted By: GUEST,Joseph Scott
12-Aug-18 - 08:31 PM
Thread Name: Who started the Delta blues myth?
Subject: RE: Who started the Delta blues myth?
Hagstrom Miller's book is _the_ book I would recommend least about blues. I reviewed it for amazon as follows:

Karl Hagstrom Miller's _Segregating Sound_ contains some remarkable misinformation.

"Academic collectors were particularly slow to associate the blues with folklore." Sounds interesting, but it happens to be flatly false. John Lomax included the song "The Blues" in a list of "genuine Negro folk-songs" in print in 1912. Howard Odum published blues, such as "Frisco Rag-Time," in the _Journal Of American Folk-Lore_ in 1911. E.C. Perrow published blues lyrics in the same journal a few years later. Associating the blues with folklore is exactly what these people were doing.

"Prior to the mid-twenties, practically every commentator, with some minor exceptions, understood the blues as a commercial style." Sounds interesting, but it happens to be flatly false. _Reader's Guide To Literature, Volume V, 1919-1921_, 1922: "Blues (songs). See Folk songs, American." Famous, Southern-born black songwriter W.C. Handy wrote in 1919 about blues: "[I]t is from the levee camps, the mines, the plantations and other places where the laborer works that these snatches of melody originate." (Handy's interview with the periodical _Along Broadway_ in 1919 was consistent; the periodical wrote of the songs of the black cotton-picker and plowman and explained, "The story of Handy's success in putting these weird songs to music reads like a fairy tale.") Another famous, Southern-born black songwriter, Perry Bradford said in 1921: "[B]lues originated from old... folk lore songs...." Famous, Southern-born black songwriter James Weldon Johnson agreed in 1922. As noted above, John Lemax understood "The Blues" as a folk song as of 1912. Howard Odum understood blues material he'd collected as folk material well before the mid-'20s. (So did his wife. Seriously, she published independently of him, different blues material, and did.) Carl Van Vechten characterized a blues as a folk song in 1917. _Current Opinion_ wrote about "... widespread discussion of the origin of the 'blues,' a type of folksong..." in 1919. Etc.

"The blues were a successful, almost viral, product of the music industry and professional songwriters." Sounds interesting, but it happens to be flatly false. There is no credible evidence, zero, of any pro writers creating blues songs as early as, e.g., the folk blues song Elbert Bowman recalled he heard black workers singing by 1905, a variant of "K.C. Moan." (Bowman recalled well that the period was 1903-1905, because 1903-1905 was when blacks came through his small, heavily white town building a railroad line. His recollection fits great with those of others, such as the recollection of Emmet Kennedy regarding a variant of "Poor Boy Long Ways From Home." Not all blues music was 12-bar, and not all 12-bar music was blues music; e.g., "Stack-a-Lee," which existed by 1897, isn't a blues song.)

"Perhaps the most dramatic reinterpretation of the blues as folk songs came from the sociologists Howard Odum and Guy Johnson. They collaborated in 1925 to publish The Negro and His Songs, a large collection of African American religious and secular selections, many of which were culled from Odum’s previous academic journal articles. They equated reimagining pop tunes as folk songs 'blues' with 'popular hits' and emphatically insisted that they were 'not folk songs.'" Nope, that's an inaccurate description of what Odum and Johnson wrote in that book. And Odum thought in 1911 (and in 1908) that the folk blues he had collected in 1905-1908 were folk songs, which would be why he published them in 1911 in a journal called _The Journal Of American Folk-Lore_.

"In newspaper articles written between 1916 and 1919... [n]either Handy nor writers profiling the composer identified the blues as folk music." Nope, see e.g. the two 1919 Handy-related articles I mentioned above.

"W.C. Handy was more responsible than anyone for establishing the blues as folk music." The only people who ever "established" blues music as folk music were the black folk musicians who invented blues music in the first place.

Amazing."