The Ballad of Johnny Longstaff (Young’uns Cd & Show)
This post is a collection of information about the Cd and stage show called The Ballad of Johnny Longstaff which was created and performed by The Young’uns, (Sean Cooney, David Eagle, &Michael Hughes ) The following link will take you to a Youtube video made for the group’s 2019 tour. It provides a good overview of the whole project.https://www.youtube.com/watch?v=kDAcZnu-9do
Below that link is a section called THE TRACK LIST , a list of all the Johnny Longstaff songs This includes a link to a YouTube video performance of each song by The Young’uns . Below THE TRACK LIST will be found THE LYRICS which shows the lyrics for each song.
TRACK LIST
1 Any Bread?
https://www.youtube.com/watch?v=7awjjTuvPXo&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs&index=1
2 Carrying the Coffin
https://www.youtube.com/watch?v=_ZLCrCi8n5s&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs&index=2
3 Hostel Strike
https://www.youtube.com/watch?v=0o2djqABt8w&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs&index=4
4 Cable Street
; https://www.youtube.com/watch?v=0o2djqABt8w&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs&index=4
5 Robson's Song
https://www.youtube.com/watch?v=NaaSNXznnWc&index=5&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs
6 Ta-ra to Tooting
https://www.youtube.com/watch?v=bTZPfWX-ArI&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs&index=6
7 Noddy
https://www.youtube.com/watch?v=jvKzmQTcHig&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs&index=7
8 The Great Tomorrow
https://www.youtube.com/watch?v=VemZ3D_zkBA&index=8&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs
9 Ay Carmela
https://www.youtube.com/watch?v=sFbr_p9qQYY&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs&index=9
10 Paella
https://www.youtube.com/watch?v=Ya4-daNzC3g&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs&index=10
11 No Hay Pan
https://www.youtube.com/watch?v=f_3iGQ9eZrI&index=11&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs
12 Trench Tales
https://www.youtube.com/watch?v=BTQS5zlTeqQ&index=12&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs
13 Lewis Clive
https://www.youtube.com/watch?v=yRziLXRhL0A&index=13&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs
14 Bob Cooney's Miracle
https://www.youtube.com/watch?v=JFPWqceZRjQ&index=14&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs
15 Over the Ebro
https://www.youtube.com/watch?v=68KuqcJvShM&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs&index=15
16 David Guest https://www.youtube.com/watch?v=-kfNlFT0DTs&index=16&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs
17 The Valley of Jarama
https://www.youtube.com/watch?v=EI6pe6AkFus&index=17&list=OLAK5uy_kWvN9y38-4tZLDUbvIXIXHf7DF4czFpQs
? Hereteu Records
Released on: 2019-01-07
Lyricist: Sean Cooney
Composer: David Eagle
Composer: Michael Hughes
Composer: Sean Cooney
THE LYRICS
Reproduced in italics beneath some of the songs is information provided bySean Cooney which describes how the song was composed.
ANY BREAD
by Sean Cooney
Me name is John Longstaff in Stockton I was born
On a cold October morning my eyes first saw the dawn
Me grandad was a sailor he wore the jacket blue
And when I found his old sea chest I thought I’d be one too
Now when I was 10 the slump began and I did not know why
My belly should be empty and my lips should be dry
There were jam jars for cups and there were newspapers for plates
And all us kids a-waiting outside the factory gates
And it’s….
‘Mister! Mister! Mister!’ we said
‘Mister! Mister! Mister!’ we bled
‘Mister! Mister!’ we sang like the dead
‘Mister! Oh Mister! Can you spare any bread?’
One day we stole some duck eggs from a shop on Norton road
And we ran back to Willie’s house to cook our little load
But Willie’s Mam she were so poor she never had a pan
So we threw them in the kettle and soon it boiled and sang
But two rozzers traced us and they searched the whole house through
They found the pantry empty and all our stomachs too
Says Willie’s Mam ‘will you have some tea the kettle’s on the job’
Those rozzers smiled and shook their heads and they gave her two bob
‘Mister! Mister! Mister!’ we said
‘Mister! Mister! Mister!’ we bled
‘Mister! Mister!’ we sang like the dead
‘Mister! Oh Mister! Can you spare any bread?’
When I left school at 14 I found meself a job
12 hours a day in the rolling mill I toiled for my 8 bob
With the furnace men, the roller and the heaver over man
And the scars from those sharp edge springs I’ve still got on my hands
But one day misfortune took the heel from off me clog
And down upon the black hot steel I fell like a dog
There were burns on me back and hands I couldn’t carry on
And when I left the hospital I found my job had gone
‘Mister! Mister! Mister!’ we said
‘Mister! Mister! Mister!’ we bled
‘Mister! Mister!’ we sang like the dead
‘Mister! Oh Mister! Can you spare any bread?’
Out of work in ’34 and too young for the dole
Buried under ashes like a lump of idle coal
There were men marching to London so in with them I slung
But when I said I was 15 they said I was too young
So secretly I stalked them at a slower rate
Through Darlington, Northallerton, Thirsk and Harrogate
And when we reached the town of Leeds they found out me plan
And they said that I could march with them for now I was a man
This was the first song I wrote about Johnny in November 2015. I wrote it at home in Sheffield. The first two verses and chorus are inspired by passages in Johnny’s unpublished memoirs Any Bread Mister? This is how the book begins
‘Any bread left mister, any bread left?’
Came these words from children, who were waiting at the factory gates for the few employed men who had finished work for the day, and were walking out of the factories in Stockton On Tees. Sometimes the workers gave us some food; they had deliberately saved this food from their lunch boxes to give to us hungry youngsters. The look on their faces was one of sympathy; even we young children understood the look and the expression these men had on their faces. -< Any Bread Mister? <
CARRYING THE COFFIN
by Sean Cooney
We’re carrying the coffin all the way to London town
Carrying the coffin all the way to London town
Carrying the coffin all the way to London town
And we will work once more!
In our coffin is a man who went to war
He came back a hero, boys - beaten, broke and sore
He pawned all his medals, lads, because he was so poor
And he can’t work no more!
We’re carrying the coffin all the way to London town
Carrying the coffin all the way to London town
Carrying the coffin all the way to London town
And we will work once more!
From the Clyde and the Tyne and the Tees we have come
From the Mersey and the Severn and the Yare and Taff and Don
Our rivers may be weeping, lads, but we are marching on
And we will work once more!
We’re carrying the coffin all the way to London town
Carrying the coffin all the way to London town
Carrying the coffin all the way to London town
And we will work once more!
‘A land fit for coffins,’ is what they should have said
Cos if we can’t have work enough we might as well be dead
But while we’ve still got breath in us we’ll sing instead
We will work once more!
We’re carrying the coffin all the way to London town
Carrying the coffin all the way to London town
Carrying the coffin all the way to London town
And we will work once more!
And we’ll carry our coffins all along Whitehall
And when we are fit to drop then into them we’ll fall
And Mr MacDonald he can bury us all
If we can’t work no more!
We’re carrying the coffin all the way to London town
Carrying the coffin all the way to London town
Carrying the coffin all the way to London town
And we will work once more!
The ground is gaping and me legs they feel like lead
The gravestones are grinning and the mourners are well fed
So bring out your jobs or bring out your dead
We will work once more!
We will work once more!
We will work once more!
Written in November 2015. Johnny explained in his oral testimonies that the hunger marchers with whom he walked to London composed songs as they walked along. Many were put to the tune of the popular marching song John Brown’s Body so it felt right to do the same.
HOSTEL STRIKE
by Sean Cooney
Well the cook was a crook and the manager a miser
Both were shirkers both were skirters both were bad workers and skivers
And the butties were disgusting and the soup was getting thinner
And all we got for breakfast each was half a soggy kipper
And the sheets weren’t changed and the smell was something funny
When we worked overtime the buggers took half of our money
I was a proud young working lad but treated like a convict
Feeling bold 15 years old I wasn’t going to stand it
We were waiting for a better day
Now in the north we were poor but we were poor together
But when you see the lights of London then you know you should have better
So when queueing for our bait boxes one cold and rainy morning
I said ‘stuff your bloody butties for they always taste appalling!’
The cook ran amuck and he flung himself towards me
He was cursing he was swearing, every dirty name he called me
Though I didn’t know what striking was and I was no abetter
I said ‘I’ll not go to work today till things round here are better!’
We were waiting for a better day, boys, waiting for a better day
So all us lads filed out the door and though the ground was sodden
For three long nights we all slept rough up out on Wandsworth Common
Till our pockets all were empty and they thought that we would give in
But we held our nerve and our reserve and fought for our living
Now on Trinity Road there was a little café
Where the busmen went for their tea and toast and coffee
And when they’d heard our story with us they were really taken
They yelled ‘give all these lads tea and toast and give ‘em egg and bacon!’
We were waiting for a better day, boys, waiting for a better day
They asked us lots of questions and they heard each of our stories
They got all our facts and figures straight and laid the case before me
Then the police came arrested me - the trouble it was starting
But the lads ran to the café and the busmen came a marching
And the busmen spoke with splendid oratory
While the manager and cook each told a different story
It was plain as rain they were a pair of rotten scammers
They were sacked outright without a fight and now they’re in the slammer
We were waiting for a better day, boys waiting for a better day
As the manager was hauled away he snarled and pointed at me
He said ‘There’s the bloody Bolshevik, there’s the rotten commie!’
Now I’d never heard of either word so I just stood there smirking
Gave a sigh and went inside just glad that I was working
And to thank those busmen us lads were all contriving
We bought them each a tie all bright and red and shining
Now I did not know politics a leader I was not it
But now I knew what union meant and I never forgot it
We were waiting for a better day, boys, waiting for better day
Waiting for a better day at the YMCA
I wrote this whilst we were on tour with The Transports production in January 2018. I never used to be able to write whilst on tour. Most of my earlier songs were written at home with the guitar and the time and space to concentrate. More recently I’ve preferred writing on the road and this was put together and went through a week of rewrites and edits on the Transports tour bus and in a series of dressing rooms all over England. Johnny spoke at length of the stand he made against the manager and cook who took over at the Tooting YMCA whilst he was there in 1934. In this recording we don’t feature this narrative but the song follows the story accurately. However, I have embellished the tale by saying the crooks both ended up in prison! This is one of the most powerful lines in Johnny’s memoirs
It was far easier to be hungry in Stockton than it was to be hungry in London because we were all sharing the same poverty - Any Bread Mister?
CABLE STREET
by Sean Cooney
On the 4th October 1936 I was only a lad of 16
But I stood beside men who were 3 score and 10 and every age in between
We were dockers and teachers, busmen, engineers and those with no jobs to do
We were women and children equal, in union
Atheists, Christians and Jews
And we had so much to lose
For with Hitler in Germany, Franco in Spain we knew what fascism meant
So when Mosley came trouncing, denouncing the Jews to the East End of London we went
For I’d met refugees who had fled o’er the seas - Germans, Italians and Jews
And I knew their despair for what they’d seen there and I couldn’t let them be abused
We had so much to lose
Now 3,000 fascists their uniforms black had set off to march on that day
And 6,000 policemen intended to greet them by making clear the way
But we were there ready our nerves they were steady - 100,000 in mass
And we planted our feet along Cable Street and we sang ‘they shall not pass!’
We sang ‘they shall not pass!’
Then all us young lads were sent to the side streets to stop the police breaking through
And with swift hands we made strong barricades out of anything we could use
And they came to charge us but they couldn’t barge us with fists, batons and hooves
With as good as we got we withstood the lot for we would not be moved
We would not be moved
And yes there was violence and yes there was blood and I saw things a lad shouldn’t see
But I’ll not regret the day I stood and London stood with me
And when the news spread the day had been won and Mosley was limping away
There were shouts, there were cheers, there were songs, there were tears and I hear them all to this day
And we all swore then we’d stand up again for as long as our legs could
And that when we were gone our daughters and sons would stand where we stood
Was the first time I’d heard two tiny words said by every woman and man
Now I say them still and I always will
‘No Pasaran!’
This was written during our first tour of Australia in March 2016. I remember vividly going through drafts of it in the passenger seat as we drove the dusty roads of Victoria to play at Port Fairy Folk Festival. We recorded it on Strangers in 2017 knowing as we did so that one day it would be part of a suite of songs about Johnny’s life. Inspiration also came from the memories and reminiscences of many other people who were there.
ROBSON’S SONG
by Sean Cooney
In a doss in Charing Cross behind a big steel door
I met a man who had the dourest face I ever saw
He was grey as the grave, he was stern and he was grim
His name was Robbie Robson and I said this to him
I said ‘my name is Longstaff and I want to go to Spain’
‘Well are you sure?’ he answered me so I told him again
‘Well how old are you really lad? You look like 12 to me’
‘I’m nearly 20 sir,’ I lied, cos I was 17
‘Now there are things that you must know, lad, if you mean to go
To fight down in a foreign land against a fearsome foe
For the enemy is brutal, lad, and when you’re on the run
You’ll be lucky if you shoot him, lad, cos you won’t have a gun!
And you’ll be no good wounded, lad, by those dirty thugs
For when you go to hospital there won’t be any drugs
And when you come home blinded, lad, without an arm or leg
There’ll be nothing we can give you, lad, you’ll have to go and beg
And the clothes that you’ll be wearing, lad, they come in sizes 2
Too big or too small – but too small’s too big for you!
And when your arse is bleeding, lad, through scratching with the lice
Then you’ll remember me, lad, and think on my advice
And the food that’ll you’ll be eating, lad, it won’t be very grand
The beef is really of donkey and the coffee’s really sand
And when you’re gipping in a bucket, lad, and wishing for your Mum
You’ll remember me, lad, and wish you’d never come
You’ll be burned red like a lobster, lad, beneath the blazing sun
In the Pyrenees you’re sure to freeze with ice upon your bum
Digging trenches with your finger nails, lad, in the frozen ground
You’ll remember me, lad, and wish you’d turned around
So now you’ve heard my story, lad, it is the truth I’ve said
You’ll be either maimed or blinded, lad, or more than likely dead
So now you’re looking at me, lad, tell me your answer plain
I said ‘my name is Longstaff and I want to go to Spain’
Robson’s Song was written on one day in October 2017 when we were waiting to play the North Wall Arts centre in Oxford. Up until that day I’d never heard the expression ‘gipping’ (vomiting) until Andy Bell our sound engineer and producer said it. It seemed to fit perfectly for the song - thanks Andy. Johnny spoke at length about how attempts were made to persuade him not to go to Spain. Other veterans shared similar stories and experiences of ‘the dour faced’ Robson
They put me through a right third degree; at the end I said to him: ‘Don’t you want me to go?’ Syd Booth.
TA-RA TO TOOTING
by Sean Cooney
We gather for the picture my five mates and me
Like dapper little devils, we are young and free
And I sit in the centre - the captain of the crew
My coat is an old’un but my shirt is almost new
And I sing ta-ra to Tooting and the lads I leave behind
For the train waits in the station and it’s time for me to ride
But I’ll take this tiny picture so wherever I may be
There’ll be Jim and Jack and Ernie, Norman, Les and me.
And as we left the city and the grey land turned to green
I thought about those young lads and the things we’d done and seen
When we fought for the right to ramble the countryside all through
When the fences were all old’uns but the land was almost new
And I’ll sing ta-ra to Tooting and the lads I left behind
When we came to Newhaven there was one thing on my mind
But I’ll take this tiny picture so wherever I may be
There’ll be Jim and Jack and Ernie, Norman, Les and me
As night fell on the Channel and the wind sang on the sea
I thought about those young lads and the times they sang with me
When our tongues told of freedom and every note rang true
And though our tunes were all old’uns our words were almost new
So I’ll sing ta-ra to Tooting and the lads I left behind
As morning broke on Dieppe and the sun began to shine
I’ll take this tiny picture so wherever I may be
There’ll be Jim and Jack and Ernie, Norman, Les and me.
When the picture’s almost faded, when the memory’s almost gone
Will I sit then and wonder how we ever were so young?
Will there be young lads somewhere whose hearts are just as true?
When our old world has faded will theirs be almost new?
Then I’ll cry ta-ra to Tooting and the lads I left behind
80 years before me or 80 years behind
And when all that’s left’s a picture whenever that may be
There’ll be Jim and Jack and Ernie, Norman, Les and me.
Jim, Jack, Ernie, Norman, Les, me
I got the idea for this song whilst on a ferry to Prince Edward Island in Canada in July 2017. I scribbled some verses down but only went back to them in November 2017 when we were back in Canada staying at a friend’s house in Calgary. There’s a little bit of Billy Connolly’s I Wish I Was in Glasgow somewhere in the tune.
Johnny’s five mates were Jim Perry, Jack Brown, Les Hawesby Norman Horwood, and Ernest Harrison. The picture was taken on the day that Johnny left for Spain in September 1937. He didn’t have time to get it developed of course so he wouldn’t have carried it with him across the Channel as the song suggests but it was sent out to him in Spain and he did cherish it.
NODDY
by Sean Cooney
When our young hero Johnny went for a bath in Paris
He saw a woman in the noddy that made him stop and stare
Well his eyes jumped out their sockets, his heart raced like a rocket
And there was something in his pocket that he didn’t know was there!
Noddy comes from this little story from Johnny’s memoirs about how he and the small group he was with were sent to the public baths to sober up before their medical in Paris.
Away we all went to the baths where I dived into one of the showers and stood shivering as the cold water turned me purple. A woman was singing, she was in the next shower cubicle and only a small partition separated us. I looked over the top, to find out that she was completely nude. It was the first time I had seen a woman 'in the noddy.' If I was drunk, the sight of that naked woman quickly sobered me up. I thought I was in the women's part of the public baths and did not know the French men and women used the same section. At least they did where I was! I quickly dressed and went back to have another medical. I wonder if those French comrades were having a bit of fun with us! - Any Bread Mister?
THE GREAT TOMORROW
by Sean Cooney
There’s a song sang up in the mountains and there’s a song upon the sea
There’s a song sang in unison and a song in harmony
There’s a song sang in every timbre and in 47 tongues
Thirty thousand voices are all singing our song
And the more of us who learn to sing it then the sooner there will be
Peace beneath the branches of the lime and olive tree
From mine and mill and field and shipyard, from behind the company door
From the playing fields of Eton to the warrens of the poor
From Helsinki to Buenos Aires our reasons are the same
From Melbourne to Vancouver now we have come to Spain
For if you sing a song of freedom then it does not matter where
If your song is freedom then you sing it everywhere.
There are some of our number who have known the pains of war
There are some of our number who have never fought before
But there are none of our number would think it were in vain
To leave their warm blood spilled upon the dry hot soil of Spain
And if I end up on that roll of honour I’ll be in good company
If there’s peace beneath the branches of the lime and olive tree
One day there will be no fascist and no anti-fascist men
One day there’ll be no ‘us’ and one day there’ll be no ‘them’
For equality is for everyone no matter what we’ve done
The sins of our fathers will not ever harm our sons
For there will come a great tomorrow for everyone to see
Peace beneath the branches of the lime and olive tree
But if all our dreams are sold and bartered and if all our names are lost
And if everything we’ve fought for crumbles into dust
They will never take from me the love I felt that day
I went because my open eyes could see no other way
And if I live to be one hundred make this my legacy
Peace beneath the branches of the lime and olive tree
Yes if I live to be one hundred make this my legacy
Peace beneath the branches of the lime and olive tree
Written in Calgary in Western Canada in November 2017 it’s a song about a song. The Internationale was possibly the most popular left wing anthem of the 20th century. This famous song features heavily in the testimonies of many of the volunteers and many of the British described the incredible emotion of singing it at the moment they crossed over the border after climbing through the mountains.
Here were we, all young men from really all the nations of Europe joining this one song in their own language which seemed to express a yearning for the unity of mankind. I find it extremely difficult to explain how exhilarating this was. I don’t think I’ve ever felt the same feeling at any other time in my life. - John Dunbar
Our reworking references the famous words of Cecil Day Lewis
It was not fraud or foolishness glory, revenge, or pay
We came because our open eyes could see no other way
The Volunteer, Cecil Day Lewis
It also owes much to these words of Bob Cooney
And if we live to be a hundred
We'll have this to be glad about
We went to Spain!
Because of that great yesterday
We are part of the greater tomorrow
-Hasta La Vista - Madrid! - Bob Cooney
AY CARMELA
by Sean Cooney
We are the lost sons of Albion
The men of the British Battalion
There is no gold path to glory Ay Carmela! Ay Carmela!
That is someone else’s story Ay Carmela! Ay Carmela!
Through the hills to Spain we furrow
To find a country cloaked in sorrow
Bodies in the wells were lying Ay Carmela! Ay Carmela!
Blood upon the church walls drying Ay Carmela! Ay Carmela!
Izquierada and derecho
Izquierada and derecho
Imedia vuleta Ay Carmela! Ay Carmela!
Izquierada and derecho Ay Carmela! Ay Carmela!
The first of us fell at Jarama
The earth was warm our blood was warmer
Thomas Carter came a- storming Ay Carmela! Ay Carmela!
Ne’er to see another morning Ay Carmela! Ay Carmela!
At Mosquito Ridge the earth was burning
Our tongues on fire our stomachs churning
‘Aviones!’ the Capitan calling Ay Carmela! Ay Carmela!
The bombs of Brunete falling Ay Carmela! Ay Carmela!
At Teruel the earth was frozen
We dug until our graves would open
Our clothes were old our guns were older Ay Carmela! Ay Carmela!
Our bodies cold our blood was colder Ay Carmela! Ay Carmela!
We are the lost sons of Albion
The men of the British Battalion
There is no gold path to glory Ay Carmela! Ay Carmela!
That is someone else’s story Ay Carmela! Ay Carmela!
Ay Carmela was one of the most famous songs of the Spanish Civil War and like the Internationale it was hard to get away from it when writing the piece. It seemed fitting to use this well-known tune in the way Republican soldiers did by putting original words to it. I’ve borrowed a very emotive line from Laurie Lee for the opening verse
No Gold path of glory, this, for youth to go to war, but a grey path of intense disquiet
-Laurie Lee - A Moment of War
Thomas Carter was a Hartlepool volunteer who died at the Battle of Jarama in February 1937. Sadly, we know little about him. Wherever we perform the show we try and include the names of volunteers who were local to that area at this point.
Though the songs were intended to weave in and out of Johnny’s oral testimony as part of the live show, each one was written in the hope that it could stand up on its own and be performed as an individual piece outside of the context of the show. In order for Ay Carmela to do this it probably needs a few more verses.
PAELLA
by Sean Cooney
When Johnny saw Paella he was a sickly fella
He said, ‘I’ll eat that never!’ His eyes were all agog
So Johnny ate an orange and then another orange
Spent two days eating orange and three days on the bog!
When I was a youngster we were eating out somewhere and I refused to eat what was put in front of me I can remember my dad having a look of sorrow on his face when he said “Son if you are hungry enough you will eat anything.” He meant it. -< Duncan Longstaff
NO HAY PAN (There is no bread)
by Sean Cooney
There’s a rumble on the street
No Hay Pan
The sound of hungry feet
No Hay Pan
Morning breaks once more
Like a ship upon a shore
A boot upon a jaw
No Hay Pan
Now when I was a lad
No Hay Pan
The times they were bad
No Hay Pan
But we did all we could
Break any rule we would
Too hungry to be good
No Hay Pan
We crept into a church
No Hay Pan
And there upon a perch
No Hay Pan
We saw two candles then
We whispered ‘Lord Amen’
And we ate both of them
No Hay Pan
The silence of the town
No Hay Pan
Broken by the sound
No Hay Pan
A lonely mother’s call
Night begins to fall
The longest night of all
No Hay Pan
This song started on a flight to Canada in July 2017 and took a long time to finish. The story Johnny relates in the live show about being served cat meat was going to be its own song but I struggled with how to go about it and so we decided in the end that we’d let Johnny tell the story in his own words (though we edited out the bit where he said it tasted like chicken!) The second verse came from this email from Duncan
I went to see my Aunt, she told me of a story my Dad told her many years ago.
Dad said that he and his mates were banned from every church in Stockton, the reason for this, and as they were suffering from real hunger they stole candles from churches to eat. - Duncan Longstaff
The first verse owes something to this brilliant line in one of my favourite books of recent years
Morning broke like a frying pan - The Tusk that did the Damage Tania James
TRENCH TALES
by Sean Cooney
We are three singing soldiers and now here we are again
We survived the Great War boys and now we’ve come to Spain
So crunch on your carbunchies lads and drink that canteen dry
Comrade one,
‘Salud!’
Your time has come, make those tonsils fly!
Wally Tapsell was a London lad as honest as they come
And when they picked the Commissars they said he could be one
So he bought a pair of thigh high boots long and laced and lean
And each night he left them by the door for someone else to clean
Now one night as I was standing guard along comes Barney Shields
I think he was the drunkest man that I have ever seen
Then Barney whips his johnson out, he swivels and he shoots
In no time at all he’s missed the wall and filled up Wally’s boots
Ah ya da da da da da da da da da da da da
Now here’s a little ditty for our four legged furry friends
Let’s hear it for the mules, me boys, they’re with us till the end
And here’s to the brave muleteers boys - the lads who make them go
But there’s one mule to break the rule his name you all should know
Well I reckon he’s a turncoat and now so do all the men
Cos when we’re near the enemy he tries to run to them
Well I sez to Bob, ‘that mule’s a spy what shall we call him?’
‘Well he trots towards the fascists so we’ll call him Chamberlain!’
Ah ya da da da da da da da da da da da da
Our cook is Hooky Walker and one day he sez to John
‘Young Longstaff do you like a drop, are you a drinking man?’
When Johnny said he hardly supped well Hooky smiles with glee
‘Then you can fetch the vino, boy, for all the company!’
So Johnny sets off into town with empty jars in store
He filled each one up to the brim till he was feeling sore
So he tried a little drop himself, he sucked it thirstily
And we found him three hours later, boys, sleep beneath a tree
Ah ya da da da da da da da da da da da da
So now you’ve heard our stories lads and now our song is done
Aviones are all swooping boys it’s time that we were gone
Wherever heads are drooping low and men lie in despair
In times of war when hearts are sore - we’ll be singing there
Trench Tales was written in February 2018 mainly in the van going to and from primary schools in Cambridgeshire whilst we were working on a project called the Sounds of Identity. In 2014 we recorded a trilogy of ‘trench tales’ for a WW1 compilation album called Songs for the Voiceless and it seemed fitting to bring back our ‘three singing soldiers’ and send them to Spain. ‘Carbunchies’ were chickpeas (they were crunchy because no British cook realised they had to be soaked overnight). ‘Salud’ is a popular Spanish greeting. The story of Wally Tapsell’s boots has been retold many times in the testimonies of British veterans. Tapsell died at Calaceite in March 1938. The story of Chamberlain’s mule was remembered by Bob Cooney. John Leith ‘Hooky’ Walker from Fife was the popular quartermaster of the British Battalion. He survived the war. ‘Aviones’ were aeroplanes.
LEWIS CLIVE
by Sean Cooney
When Lewis Clive took his first swim he kicked his little legs so thin
And though he hardly had the room he swam around his mother’s womb
The midwife waited for a grip like a fielder at first slip
And the bunting it was all unfurled when Lewis dived into the world
But there was one thing held him down - umbilical cord a-twining round
He saw the pliers on the shelf and went and cut the cord himself
For Lewis Clive! Lewis Clive!
Couldn’t wait to be alive
Lewis Clive
When Lewis Clive became a man his back was straight, his arms were strong
And he became an Oxford blue and then in 1932
Beneath a Californian sun the umpire fired the starting gun
And the rings were blazing bright and bold when Lewis won Olympic Gold
And though he missed the boat back home Lewis Clive didn’t moan
It’s a long way from Americay but Lewis Clive swam all the way
Oh Lewis Clive! Lewis Clive!
Aint it great to be alive
Lewis Clive
Then one day in ’38 the big retreat no time to wait
The bridge across the river gone ‘swim lads,’ says big Clive ‘come on’
And like a swan leads her rank he steered us to the other bank
But Thomas struggled with the tide and flailed his drowning arms out wide
But Big Clive pulled him safe from harm and swam with him beneath one arm
And when the job was finally done he swam back and fetched his gun
Oh Lewis Clive! Lewis Clive!
Swore to keep us all alive
Lewis Clive
And how we loved his shining smile and the arms that swam for mile and mile
But Lewis Clive shall swim no more but maybe on a distant shore
St Peter’s standing at the gate, he says ‘Big Clive you’ll have to wait’
‘No bother’ smiles Clive with a grin ‘I’ll go and have meself a swim’
So he dives down to the seas of hell where all them fascists scream and yell
And when God sees just what he’s done he says ‘Moses, mate, you best be gone’
‘There’d be no need to part the sea if Lewis Clive had swam for me.’
Oh Lewis Clive! Lewis Clive!
How I wish he was alive
Lewis Clive
Lewis Clive was written at home in the summer of 2017. The dashing, athletic Lewis Clive (1910-1938) - Etonian, Oxford Blue, Olympic rowing champion, Labour Councillor - was adored by British volunteers. He was also the inspiration for the character Oliver in Mary Wesley’s The Camomile Lawn. The song mixes fact with fiction, of course, and owes something to the great mythical folk heroes the Big Hewer, John Henry and Kilroy. It also has a whiff of the music hall song My Brother Sylveste who ‘drank up all the water in the sea and walked all the way to Italy.’ Brazell Thomas was the Welsh volunteer whom Clive rescued from the fast flowing waters of the Ebro.
DAVID GUEST
by Sean Cooney
When David Guest first wore a vest and sat on his nanny’s knee
He said ‘Nanny dear, it’s awful queer to live in luxury
Some boys have all the toys and other boys have none
It seems to be unfair to me - something must be done’
David Guest was charming and his voice rang like a bell
But when he lost his temper he really lost it well
David Guest was quickly blessed with his father’s tongue
And he would gob to every mob who did pass along
At nine years old and feeling bold he preached unto a throng
Of nursemaids who looked all amazed that something must be done
David Guest was charming and his voice rang like a bell
But when he lost his temper he really lost it well
Now David Guest was quickly best in every lesson read
Made Cambridge dons suck their thumbs and tug their beards with dread
He crossed the sea to Germany in 1931
He saw the Jews were being abused and something must be done
David Guest was charming and his voice rang like a bell
But when he lost his temper he really lost it well
So David Guest puffed out his chest and he did rant and rail
And for this deed and at great speed they sent him off to jail
When he returned how his tongue burned like something had begun
The pain he'd seen just made him keen that something must be done
David Guest was charming and his voice rang like a bell
But when he lost his temper he really lost it well
David Guest could hardly rest - it caused his mother pain
And though she begged David said ‘I must go to Spain.’
As the Ebro flows David knows the reason why we’ve come
‘When the world’s on fire you mustn’t tire - something must be done'
David Guest was charming and his voice rang like a bell
But when he lost his temper he really lost it well
David Guest shot through the chest by a sniper’s gun
And the earth was thin we laid him in on Hill 481
And those who heard his final words made sure to pass them on
‘Leave me still, get up the hill – something must be done’
David Guest was one of the last songs to be completed in March 2018. Dave wrote the tune after we abandoned an earlier version which had a much bluesier feel. The life of David Guest – Mathematician, Philosopher, Composer, Idealist, Communist - is captured beautifully in David Guest – A Scientist Fights for Freedom 1911-1938 which was compiled shortly after his death by his mother Carmel Haden Guest. In one anecdote we hear how the infant David met J. M. Barrie who asked him if he wanted to grow up. ‘Not if I end up looking like you,’ he replied! He wasn’t known to have a fiery temper in Spain but this quote from the adolescent Guest really captured my imagination..If you lose your temper lose it properly!
The names of David Guest and Lewis Clive along with Wally Tapsell from London, Harry Dobson from Wales and Morris Miller from Hull were etched onto a concrete monument in the mountains of the Serra de Pandols in 1938. Incredibly this memorial escaped the desecration and destruction of Republican monuments and graves that followed Franco’s victory in 1939. It was re discovered by a group of walkers in 2000 and is the subject of a beautiful David Leach film Voices from a Mountain
BOB COONEY’S MIRACLE
by Sean Cooney
Well you’ve all heard how 5000 oafs
Were fed by Christ with the fish and loaves
But on the banks of the Ebro in ’38
A miracle happened on my plate
We’d had no scran for two whole days
Fifty seven lads all hot and hazed
When come the Commissar with the grub – what grief!
A loaf of bread and a tin of beef!
Now all us lads were filled with strife
Till up comes Cooney with his tiny knife
And before the land could wolf the sun
Every man had a corned beef bun
Well Jesus may have got more done
But he had five loaves not just one
And Jesus’ men weren’t clemmed like we
They’d not fought fascists in a hot country
So if he can share with all us men
We can share the earth and start again
‘Sharpen your knives’ Bob Cooney said
‘Bring out your beef and bring out your bread!’
We can share the earth, we can start again
Amen! Amen! Amen! Amen!
Bob Cooney’s Miracle was written in Sheffield in November 2015 and recorded on our Strangers album in 2017. My namesake Bob Cooney (1908-1984) came from Aberdeen and was one of the leading figures in the British Communist Party in the 1930s – so much so that many attempts were made to prevent him going to Spain where he might well have been killed. He went on to serve in WW2 and spent the rest of his working life in Birmingham where he is fondly remembered as a singer, songwriter and raconteur on the Birmingham folk scene. The story of his ‘miracle’ is taken from his memoirs Proud Journey. The tune is borrowed from the Bonny Bay of Biscay – O. ‘Clemmed’ is a wonderful slang word for hungry.
OVER THE EBRO
by Sean Cooney
I’ll always remember crossing the river
Crossing the river long before the sun
We were dressed up like scarecrows, but scarecrows have more clothes
I carried a blanket and a rusty old gun
When we reached the north shore was then my sweat did pour
For I knew that death may be waiting there
His silence was goading, his hush was foreboding
As we left the pontoons he did not appear
Through dry fields and vineyards how quickly we traversed
Quickly we traversed with hardly a sound
The sun came up scorching - a searing hot morning
And our alpargatas tramped on the dry ground
Some thought they were dreaming, some were not believing
For four hours we marched without any fray
But I knew past this lulling a storm would be coming
A storm would be coming to blow us away
Soon it all started we dropped and we darted
Into the vineyards some cover to seek
And Sexton was lucky a bullet so plucky
Passed through his broad face and sailed out his cheek
But onwards we hurried and forwards we scurried
The Sierra Cabols our shoes cut to shreds
But our luck was fairer when we took Corbera
And made our first camp on a dry river bed
The sun came up shining and we came up climbing
Into the mountains then came the cries
“Avion! Avion! And down came the bombs
And they blew up the dams and cut all our supplies
And soon there was sniping and soon there was griping
And two lads fell by me with hardly a sound
As their blankets hugged them two graves I dug them
In the thin soil when the sun had gone down
We’d no food for three days, no water for two days
With my empty bottle I crawled through the vines
Til a morsel I found there - some grapes on the ground there
And all the lads swore they were better than wine
By the town of Gandesa we met our oppressor
A hill loomed before us all stark in the sun
And like kids in a story we all hoped for glory
And the name of that pimple was Hill 481
Over the Ebro was the final song to be completed in March 2018 barely a week before we premiered the show! It was touch and go whether we could arrange and learn yet another new song but we just about managed it. Cyril Sexton was a London volunteer who, like Johnny himself, was lucky to survive the war after being shot through the cheek. We were delighted when his son Clive came to see the show at Cecil Sharp House in April 2018 and nodded enthusiastically all the way through. The song closely follows Johnny’s account of the build up to the Battle for Hill 481 in Any Bread Mister?
THE VALLEY OF JARAMA
There’s a valley in Spain called Jarama
It’s a place that we all know so well
It is there that we gave of our manhood
And most of our brave comrades fell
We are proud of the British Battalion
And the stand for Madrid that they made
For they fought like true sons of the soil
As part of the 15th Brigade
With the rest of the International Column
In the stand for the freedom of Spain
We swore in that Valley of Jarama
That fascism never will reign
There’s a valley in Spain called Jarama
It’s a place that we all know so well
It is there that we gave of our manhood
And most of our brave comrades fell
Now we’ve left that dark valley of sorrow
And its memory we ne’er shall forget
So before we continue this reunion
Let us stand to our glorious dead
The Valley of Jarama is the famous anthem of the International volunteers who went to Spain and now of the people who work tirelessly to keep their legacy alive. The original version was written by Alex McDade from Glasgow who died at the battle of Brunete in 1937 and was sung to the tune of the Red River Valley. The version Johnny leads us in is fittingly known as the reunion version. Though I’ve heard it hundreds of times, listening to Johnny’s voice tremble with emotion in the closing stages still moves me to tears.
Many thanks to Sean Cooney for generously helping in the collection of the information in this post
Young'ns website:
http://www.theyounguns.co.uk/CD Reviews
https://www.theguardian.com/music/2019/feb/04/johnny-longstaff-a-forgotten-hero-the-spanish-civil-war-fighter-the-younguns-folk https://louderthanwar.com/younguns-ballad-johnny-longstaff-album-review/
,
http://rootmusic.org.uk/events/the-younguns-present-the-ballad-of-johnny-longstaff/
https://en.wikipedia.org/wiki/The_Young%27uns
https://morningstaronline.co.uk/article/c/longstaff-lives-memorably-againJohnny Longstaff Voice Recordings held by The Imperial War Museum