The current edition of the limelighters is the best ever.
To understand them, recall this. There was a time when
even people like Gordon Lightfoot couldn't get their
efforts heard without a "mouthpiece".
Record companies wanted nothing less than "polished
professionalism".
S the limelighters combined powerful, classically
trained voices and perfect harmonic blend (for male
parts, of course) with a the notion of seeking gigs
in intimate nightclubs and small opera houses.

They were and are way good enough to work without
power. (Alas, I believe they've sadly retired their
familiar bass fiddle).

I suppose you could call them a tribute group.
Although they make considerable effort to put their
own sound on each tune.

They do a potpouri of succesful acoustic songwriters.
When they do a Chapin or Ochs tune, acknowlegements
and respect are always prominent and sincere.

If you are familiar, for instance, with Harry's "
"Circle or Och's "Power & Glory", you really have to
hear what they do with them . . . it's beyond my
ability to describe.
Bob P