When I first started going to folk clubs around 1972 the clubs were well attended and with a good contingent of younger people ( I was 17 ). I can't remember anyone bringing their words with them, it just wouldn't have happened. You rehearsed your stuff and performed it when it was ready. I found that I would usually make mistakes on the first few performances but the process of 'covering' those mistakes increased both my confidence and my ability to communicate the song.

In 1985 I founded Cottingham Folk Club. We attracted a very large following of local performers. I usually had a great deal of difficulty in fitting everyone in. Most of the performers accompanied themselves, no one brought their words with them. The atmosphere was vibrant, the banter was brilliant.

My policy was to encourage local and new performers. Unfortunately this backfired on me. Soon people realised that we would give everyone a chance. The less able performers rode on the backs of the more able. That's OK as long as those people start to develop for themselves.

Sadly this didn't happen. Gradually the ringbinders started coming in. The experienced performers started to leave and the ringbinders took over along with the people who have six songs that they know and expect to sing them every week.

People with their noses in a ringbinder couldn't communicate, entertain or banter. The atmosphere collapsed. The club became a habit rather than a joy. I left.

Learn your stuff and communicate it !

Cheers - Captain Swing