The Mudcat Café TM
Thread #59735 Message #953845
Posted By: CarolC
16-May-03 - 12:37 PM
Thread Name: BS: Smoke and Mirrors
Subject: RE: BS: Smoke and Mirrors
Oops. Hit the wrong button.
Here's part of it. I highly recommend reading the whole thing. You don't have to give your real information to get in. You can give them fake information. Just remember your member ID and password, or write them down somewhere. I've found the time and trouble I took to do this to be worthwhile, because there have been several very interesting articles from this source posted here in the Mudcat lately:
WASHINGTON, May 15 — George W. Bush's "Top Gun" landing on the deck of the carrier Abraham Lincoln will be remembered as one of the most audacious moments of presidential theater in American history. But it was only the latest example of how the Bush administration, going far beyond the foundations in stagecraft set by the Reagan White House, is using the powers of television and technology to promote a presidency like never before.
Officials of past Democratic and Republican administrations marvel at how the White House does not seem to miss an opportunity to showcase Mr. Bush in dramatic and perfectly lighted settings. It is all by design: the White House has stocked its communications operation with people from network television who have expertise in lighting, camera angles and the importance of backdrops...
...The White House efforts have been ambitious — and costly. For the prime-time television address that Mr. Bush delivered to the nation on the anniversary of the Sept. 11 attacks, the White House rented three barges of giant Musco lights, the kind used to illuminate sports stadiums and rock concerts, sent them across New York Harbor, tethered them in the water around the base of the Statue of Liberty and then blasted them upward to illuminate all 305 feet of America's symbol of freedom. It was the ultimate patriotic backdrop for Mr. Bush, who spoke from Ellis Island.
For a speech that Mr. Bush delivered last summer at Mount Rushmore, the White House positioned the best platform for television crews off to one side, not head on as other White Houses have done, so that the cameras caught Mr. Bush in profile, his face perfectly aligned with the four presidents carved in stone.