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The Tear Jerker Thread (songs)

LukeKellylives (Chris) 27 Jan 07 - 02:06 PM
GUEST,Greycap 27 Jan 07 - 07:20 AM
Lin in Kansas 27 Jan 07 - 05:15 AM
Slag 27 Jan 07 - 04:23 AM
frogprince 26 Jan 07 - 03:08 PM
Lonesome EJ 26 Jan 07 - 01:30 PM
Scoville 26 Jan 07 - 11:04 AM
SINSULL 26 Jan 07 - 10:14 AM
Beer 26 Jan 07 - 07:56 AM
Blindlemonsteve 26 Jan 07 - 05:15 AM
JennyO 26 Jan 07 - 04:05 AM
Slag 26 Jan 07 - 03:17 AM
catspaw49 26 Jan 07 - 12:15 AM
GUEST,Scoville at Dad's 25 Jan 07 - 10:09 PM
Charley Noble 25 Jan 07 - 09:09 PM
GUEST 25 Jan 07 - 08:50 PM
kytrad (Jean Ritchie) 25 Jan 07 - 08:48 PM
terrier 25 Jan 07 - 07:31 PM
GUEST,Black Hawk 25 Jan 07 - 07:29 PM
GUEST 25 Jan 07 - 07:17 PM
GUEST,Bardan 25 Jan 07 - 07:10 PM
GUEST,Bardan 25 Jan 07 - 07:03 PM
Peace 24 Jan 07 - 07:22 PM
terrier 24 Jan 07 - 03:48 PM
Mr Fox 24 Jan 07 - 12:28 PM
Beer 24 Jan 07 - 12:11 AM
Slag 23 Jan 07 - 05:24 PM
Stilly River Sage 23 Jan 07 - 05:10 PM
JeremyC 23 Jan 07 - 04:42 PM
JeremyC 23 Jan 07 - 04:41 PM
Scoville 23 Jan 07 - 04:12 PM
kendall 23 Jan 07 - 04:09 PM
JeremyC 23 Jan 07 - 03:58 PM
Cruiser 23 Jan 07 - 03:33 PM
fat B****rd 23 Jan 07 - 03:24 PM
Cruiser 23 Jan 07 - 01:59 PM
Marje 23 Jan 07 - 01:47 PM
GUEST 23 Jan 07 - 12:26 PM
eddie1 23 Jan 07 - 11:55 AM
kendall 23 Jan 07 - 11:31 AM
Flash Company 23 Jan 07 - 10:18 AM
eddie1 23 Jan 07 - 04:11 AM
JennyO 23 Jan 07 - 02:27 AM
Lin in Kansas 23 Jan 07 - 02:02 AM
Bert 23 Jan 07 - 01:39 AM
Lin in Kansas 23 Jan 07 - 01:15 AM
Cruiser 23 Jan 07 - 12:19 AM
Cruiser 22 Jan 07 - 11:41 PM
Cruiser 22 Jan 07 - 11:33 PM
Lin in Kansas 22 Jan 07 - 11:23 PM
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Subject: Lyr Add: IRISH SOLDIER BOY
From: LukeKellylives (Chris)
Date: 27 Jan 07 - 02:06 PM

Irish Soldier Boy (copied and pasted from another site, sorry for any mistakes in it)

At[G] a cottage door one[C] wintery[G] night
As the snow lay[C] on the[G] ground
Stood a youthful Irish[C] soldier boy
To the mountains he was[G] bound
His mother stood[C] beside him saying
You'll win my boy don't[G] fear
And with her loving arms[C] around his[G] waist
She tied his[C] bando[G]leer
[2]
Goodbye God bless you mother dear
I hope your heart wont pain
But pray to God your soldier boy
Your son wou'll sea again
And when im out on the firing line
It will be a source of joy
To know that your the mother proud
Of an Irish soldier boy
[3]
When the fighting it was over
And the flag of truce was raised
The leaders ordered the firing to cease
All Ireland stood amazed
Some men came up to the cottage door
Containing news in sad detail
Of her Irish soilder boy
[4]
Goodbye God bless you mother dear
I'm dying a death so grand
From received in fighting
Trying to free my native land
And when im up in heaven above
In the land beyond the sky
You'll always be in the company of
Your Irish soldire boy


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Subject: RE: The Tear Jerker Thread
From: GUEST,Greycap
Date: 27 Jan 07 - 07:20 AM

Hank Snow recorded an entire album of tear jerkers called "When Tragedy Struck" - my personal choice of tj was "There's Little Box of Pine on the 7.29, bringing back the lost sheep to the fold" choke, sob,cry....


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Subject: Lyr Add: THE BLIZZARD (Harlan Howard)
From: Lin in Kansas
Date: 27 Jan 07 - 05:15 AM

Jim Reeves also did one called The Blizzard, where he and his horse are lost in the snow. Anyone who's ever seen or been out in a Great Plains blizzard can sympathize with his plight.

Lin
__________________________________________________

The Blizzard
By Harlan Howard

There's a blizzard comin' on
how I'm wishin' I was home
For my pony's lame
and he can't hardly stand

Listen to that northern sigh
if we don't get home we'll die
But it's only seven miles
to Mary Anne
it's only seven miles to Mary Anne

You can bet we're on her mind
for it's nearly suppertime
And I'll bet there's hot
biscuits in the pan
Lord my hands feel like they're froze
and there's a numbness in my toes
But it's only five more miles
to Mary Anne
it's only five more miles to Mary Anne

That wind's howlin' and it seems
mighty like a woman's screams
And we'd best be movin' faster if we can
Dan just think about that barn
with that hay so soft and warm
For it's only three more miles
to Mary Anne
it's only three more miles to Mary Anne

Dan get up you ornery cuss
or you'll be the death of us
I'm so weary but I'll help you if I can
All right Dan perhaps it's best
that we just stop awhile and rest
For it's still a hundred yards
to Mary Anne
it's still a hundred yeards to Mary Anne

Late that night the storm was gone
and they found him there at dawn
He had made it but he just couldn't leave ol' Dan
Yes they found him there on the plains
his hands froze to the reins
He was just a hundred yards
from Mary Anne
He was just a hundred yards from Mary Anne


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Subject: RE: The Tear Jerker Thread
From: Slag
Date: 27 Jan 07 - 04:23 AM

Marty Robins did a really bizarre song in the early 70's called "The Chair" about a guy getting executed in the electric. It was in the first person so it really raised serious "narrator" problems. The last line goes something "Did I hear him (the Dr. in attendence, I assume) say, 'This man is dead?'" Ifelt like shedding a tear for Marty's carrer at that point.


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Subject: RE: Is this a "tearjerker"?
From: frogprince
Date: 26 Jan 07 - 03:08 PM

When I wrote this song, I was thinking of it as decidedly happy, but I wanted it to come across as thoughtful rather than glib. I've been taken off guard by seeing a couple of people tear-up on hearing it. Some months back I asked one mudcat regular his reaction to it, and he referred to it (I didn't feel negatively) as a "real tear jerker". What do y'all think in that regard?
                                  Dean


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Subject: RE: The Tear Jerker Thread
From: Lonesome EJ
Date: 26 Jan 07 - 01:30 PM

Eric Clapton's "Tears in Heaven" is certainly a tear-jerker, even more so because it isn't saccharine like so many others. I can't play and sing "I Come and Stand at Every Door" even though I love the song, because I can't get past the line "I'm seven now, as I was then,when children die they do not grow".


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Subject: RE: The Tear Jerker Thread
From: Scoville
Date: 26 Jan 07 - 11:04 AM

Loaded into iTunes on my office computer:

Kneeling Drunkard's Plea (the Carter sisters, recording by the Weary Boys)
Billy Gray & Girl I Left in Sunny Tennessee (Norman Blake)
Engine 143 (Sara Carter)
Wagoner's Lad (Buell Kazee)
St. James Hospital (Doc Watson)
Deux-Pas des Condamnés & Parting Waltz (Red Stick Ramblers. I know these are tear-jerkers even though they're in Cajun and I can't understand most of the words.)


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Subject: RE: The Tear Jerker Thread
From: SINSULL
Date: 26 Jan 07 - 10:14 AM

Spaw - that is perfect!


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Subject: RE: The Tear Jerker Thread
From: Beer
Date: 26 Jan 07 - 07:56 AM

I Don't Remember Loving You. Artist ?? Would be considered a Country song.


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Subject: RE: The Tear Jerker Thread
From: Blindlemonsteve
Date: 26 Jan 07 - 05:15 AM

George Jones, He stopped loving her today.... the best sad dong i have ever heard, check it out, it makes my spine tingle everytime i hear it.


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Subject: RE: The Tear Jerker Thread
From: JennyO
Date: 26 Jan 07 - 04:05 AM

KAKSOD Spaw! You owe me another keyboard!


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Subject: RE: The Tear Jerker Thread
From: Slag
Date: 26 Jan 07 - 03:17 AM

Well, Spaw! That's quite a revamping (and improvement) of the original. I wanted to post that "The Green Green Grass of Home" was a pretty sappy tear jerker, but it's so hard when I'm laughing my head off!!!! LOL&ROG


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Subject: RE: The Tear Jerker Thread
From: catspaw49
Date: 26 Jan 07 - 12:15 AM

Hey JennyO......Let me help you out. The next time "Honey" comes up (along with your lunch), just throw in this verse:

See the tree, it fell on you
Now you're gone, my balls are blue
I can't get laid.
So now I've started shagging sheep
And sometimes chickens in their sleep
But they want paid.
And Honey I miss you
I get huge morning wood
I think I'll dig up your body
Necrophilia'd be good.


Spaw


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Subject: RE: The Tear Jerker Thread
From: GUEST,Scoville at Dad's
Date: 25 Jan 07 - 10:09 PM

Oh, I forgot about "Lightning Express".

Somewhere, I have dulcimer tab for "In the Baggage Coach Ahead", which features a Victorian mother traveling by train in the baggage coach, in her casket. I think it pulls pretty much every hearstring at hand.


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Subject: Lyr Add: LITTLE ALICE
From: Charley Noble
Date: 25 Jan 07 - 09:09 PM

When I was much younger I had the usual youthful arrogance about death. Songs like this from another age amused me, and I and my college friends competed to see who could come up with this most morbid one. This one made the top ten, probably because of its last three verses if you manage to plow through to them:

LITTLE ALICE
(In SONGS FOR THE LITTLE ONES AT HOME, published by the American Tract Society in the 1850's)

Dear little Alice has gone to rest,
Where never a sin shall stain her breast;
No trouble disturb her, no fear annoy,
No cloud overshadow her innocent joy.
She lived on this earth but a little while;
She died before we had seen her smile,
But she was our sister, and is so still;
Sweet Alice, we call her, and always will.

We think we are glad she's gone away,
Where her life will be all one pleasant day;
Where an unkind word she'll ne'er receive,
Nor speak one herself, our kind hearts to grieve.
For if she were here now, she would often cry,
And then she'd take sick, suffer and die;
But now death is over, and all the while
Her sweet little face may wear a smile.

For she'll never know, nor do what is wrong,
The angels in heaven will teach her their song;
Dear sister, we wish we could be there too –
Oh, when shall we come and join with you?

I forget the name of the gospel tune we set this one to; maybe it was "The Great Speckled Bird." Songs like this just make me sad today.

Charley Noble


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Subject: RE: The Tear Jerker Thread
From: GUEST
Date: 25 Jan 07 - 08:50 PM

oh yeah and what about Rolf Harris's "Two Little Boys"....?


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Subject: RE: The Tear Jerker Thread
From: kytrad (Jean Ritchie)
Date: 25 Jan 07 - 08:48 PM

I guess no one here ever plays my records- but my tear-jerker from the album, "None But One," was the "Two Little Children," just named in Black Hawk's post ("Two Little Orphans"). The reason it's there is that our producer, Al Steckler, who when invited to produce the album, sent word that he would do it if, "Two Little Children" would be included! He had heard it on an older record of mine and was apparently captivated. I'll give just a verse or two:

Two little children, a boy and a girl
Sat down by the old church door;
The little girl's feet were as brown as the curl
That fell on the dress that she wore.

The little boy's coat was all ragged and torn,
A tear shone in each little eye.
Why don't you go home to your mama, I said,
And this was the maiden's reply

Mama's in heaven- angels took her away,
Left Jim and I all alone,
We've no one to love us since Papa's away,
And we have no Mama nor home.

And so it goes- you know it, some of you. My belief is that, amongst the church people (most of us in Eastern KY), if a song was not religious, in order for it to be accepted in the community it had to be about things held sacred- Motherhood, Orphans, Sailors lost at sea, train wrecks with good people aboard ("...Old # Nine, etc.) I don't know why happy endings couldn't be considered sacred! Or maybe emotions could only be allowed to be expressed at sadness and tragedy, and menfolks especially needed an excuse to shed tears. For whatever reason, the sad songs seemed to be the most popular kind, in that one era (Victorian times to the early 1920s I'd say, for our region). I suppose they were our version of broadsides, which were the newspapers of an earlier time. Tragedy sells; happy things don't.


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Subject: RE: The Tear Jerker Thread
From: terrier
Date: 25 Jan 07 - 07:31 PM

The train one I know is of a young girl who's father (who "worked upon the line")falls victim to a serious accident. The young girl, hearing one of his workmates say "He's bound for Heaven", goes to the railway station and asks the ticket clerk for a "ticket to Heaven".
Got a good chorus as well as a happy ending. What more could you want. I won't type the whole thing out unless somebody is desperate for the words.


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Subject: RE: The Tear Jerker Thread
From: GUEST,Black Hawk
Date: 25 Jan 07 - 07:29 PM

Everley Brothers song is 'The Lightning Express' but have only heard it performed by bluegrass bands
'Two Little Orphans' is a tear jerker.
Many a lady has cried when I sing 'Bringing Mary Home' (but could be my singing).


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Subject: RE: The Tear Jerker Thread
From: GUEST
Date: 25 Jan 07 - 07:17 PM

there's one by the Everly Brothers, I don't know the title but it concerns a boy travelling on a train without a ticket because he has no money....saying to the conductor, "I've got to get home to kiss Mother goodbye/Before God takes her away..."

there is also "Ebony Eyes", of course....

and Jim Reeve's monologue "Old Tighe"


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Subject: RE: The Tear Jerker Thread
From: GUEST,Bardan
Date: 25 Jan 07 - 07:10 PM

Oh and that australian one about WW1. You know the one that goes "and the band played walzing matilda"


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Subject: Lyr Add: KILKELLY (Peter Jones)
From: GUEST,Bardan
Date: 25 Jan 07 - 07:03 PM

It doesn't really fit with the other songs on here. But I have yet to sing it all the way through without crying

KILKELLY
(Peter Jones)

Kilkelly, Ireland, 18 and 60, my dear and loving son John
Your good friend the schoolmaster Pat McNamara's so good
as to write these words down.
Your brothers have all gone to find work in England,
the house is so empty and sad
The crop of potatoes is sorely infected,
a third to a half of them bad.
And your sister Brigid and Patrick O'Donnell
are going to be married in June.
Your mother says not to work on the railroad
and be sure to come on home soon.

Kilkelly, Ireland, 18 and 70, dear and loving son John
Hello to your Mrs and to your 4 children,
may they grow healthy and strong.
Michael has got in a wee bit of trouble,
I guess that he never will learn.
Because of the dampness there's no turf to speak of
and now we have nothing to burn.
And Brigid is happy, you named a child for her
and now she's got six of her own.
You say you found work, but you don't say
what kind or when you will be coming home.

Kilkelly, Ireland, 18 and 80, dear Michael and John, my sons
I'm sorry to give you the very sad news
that your dear old mother has gone.
We buried her down at the church in Kilkelly,
your brothers and Brigid were there.
You don't have to worry, she died very quickly,
remember her in your prayers.
And it's so good to hear that Michael's returning,
with money he's sure to buy land
For the crop has been poor and the people
are selling at any price that they can.

Kilkelly, Ireland, 18 and 90, my dear and loving son John
I guess that I must be close on to eighty,
it's thirty years since you're gone.
Because of all of the money you send me,
I'm still living out on my own.
Michael has built himself a fine house
and Brigid's daughters have grown.
Thank you for sending your family picture,
they're lovely young women and men.
You say that you might even come for a visit,
what joy to see you again.

Kilkelly, Ireland, 18 and 92, my dear brother John
I'm sorry that I didn't write sooner to tell you that father passed on.
He was living with Brigid, she says he was cheerful
and healthy right down to the end.
Ah, you should have seen him play with
the grandchildren of Pat McNamara, your friend.
And we buried him alongside of mother,
down at the Kilkelly churchyard.
He was a strong and a feisty old man,
considering his life was so hard.
And it's funny the way he kept talking about you,
he called for you in the end.
Oh, why don't you think about coming to visit,
we'd all love to see you again.

Surely a candidate for saddest song ever. Sheep's crook and black dog is good as well. As is the unquiet grave.


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Subject: Lyr Add: THE THREE BELLS (from The Browns)
From: Peace
Date: 24 Jan 07 - 07:22 PM

Not a tear jerker, but I felt a very touching combination of lyrics, melody and harmonies way back when I first heard it (1950s(?)). It's been my favourite song ever since.

The Browns
The Three Bells


[Originally a French tune written in 1945]
[Original French words by Bert Reisfeld]
[Music by Jean Villard]
[English words added by Dick Manning]

There's a village hidden deep in the valley
Among the pine trees half forlorn
And there on a sunny morning
Little Jimmy Brown was born

All the chapel bells were ringing
In the little valley town
And the songs that they were singing
Were for baby Jimmy Brown
Then the little congregation
Prayed for guidance from above
Lead us not into temptation,
Bless this hour of meditation
Guide him with eternal love

There's a village hidden deep in the valley
Beneath the mountains high above
And there, twenty years thereafter
Jimmy was to meet his love

All the chapel bells were ringing,
Was a great day in his life
Cause the songs that they were singing
Were for Jimmy and his wife
Then the little congregation
Prayed for guidance from above
Lead us not into temptation,
Bless oh Lord this celebration
May their lives be filled with love

From the village hidden deep in the valley
One rainy morning dark and gray
A soul winged its way to heaven
Jimmy Brown had passed away

Just a lonely bell was ringing
In the little valley town
Twas farewell that it was singing
To our good old Jimmy Brown
And the little congregation
Prayed for guidance from above
Lead us not into temptation,
May his soul find the salvation
Of thy great eternal love"


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Subject: Lyr Add: SHALL I BE AN ANGEL DADDY
From: terrier
Date: 24 Jan 07 - 03:48 PM

I've been into Victorian melodramatic parlour songs for many years, I just wish I could travel back in time to see what those people really thought about the songs? Try this one I found in a book called 'Prepare to Shed Them Now'.

SHALL I BE AN ANGEL DADDY

One day a father to his little son
Told a sad story, a heart breaking one
He took from an album a photo and said
"This is you're mother, but long she's been dead"
"You she has left me to cherish and love
She is an angel on high, up above"
The boy in an instant drew close by his side
And these are the worde that he softly replied...

Shall I be an angel, daddy
An angel in the sky
Will I wear the golden wings
And rest in peace on high
Shall I live for ever and ever
With the angels fair
If I go to Heav'n, please tell me, daddy
Will I see mother there.


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Subject: Lyr Add: THE GIFT OF THE SEA (Rudyard Kipling)
From: Mr Fox
Date: 24 Jan 07 - 12:28 PM

I'm amazed that Peter Bellamy never set this to music. Kipling writing Victorian melodrama in the style of folk song:

THE GIFT OF THE SEA

The dead child lay in the shroud,
And the widow watched beside;
And her mother slept, and the Channel swept
The gale in the teeth of the tide.

But the mother laughed at all.
"I have lost my man in the sea,
And the child is dead. Be still," she said,
"What more can ye do to me?"

The widow watched the dead,
And the candle guttered low,
And she tried to sing the Passing Song
That bids the poor soul go.

And "Mary take you now," she sang,
"That lay against my heart."
And "Mary smooth your crib to-night,"
But she could not say "Depart."

Then came a cry from the sea,
But the sea-rime blinded the glass,
And "Heard ye nothing, mother?" she said,
"'Tis the child that waits to pass."

And the nodding mother sighed.
"'Tis a lambing ewe in the whin,
For why should the christened soul cry out
That never knew of sin?"

"O feet I have held in my hand,
O hands at my heart to catch,
How should they know the road to go,
And how should they lift the latch?"

They laid a sheet to the door,
With the little quilt atop,
That it might not hurt from the cold or the dirt,
But the crying would not stop.

The widow lifted the latch
And strained her eyes to see,
And opened the door on the bitter shore
To let the soul go free.

There was neither glimmer nor ghost,
There was neither spirit nor spark,
And "Heard ye nothing, mother?" she said,
"'Tis crying for me in the dark."

And the nodding mother sighed:
"'Tis sorrow makes ye dull;
Have ye yet to learn the cry of the tern,
Or the wail of the wind-blown gull?"

"The terns are blown inland,
The gray gull follows the plough.
'Twas never a bird, the voice I heard,
O mother, I hear it now!"

"Lie still, dear lamb, lie still;
The child is passed from harm,
'Tis the ache in your breast that broke your rest,
And the feel of an empty arm."

She put her mother aside,
"In Mary's name let be!
For the peace of my soul I must go," she said,
And she went to the calling sea.

In the heel of the wind-bit pier,
Where the twisted weed was piled,
She came to the life she had missed by an hour,
For she came to a little child.

She laid it into her breast,
And back to her mother she came,
But it would not feed and it would not heed,
Though she gave it her own child's name.

And the dead child dripped on her breast,
And her own in the shroud lay stark;
And "God forgive us, mother," she said,
"We let it die in the dark!"

- Rudyard Kipling


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Subject: RE: The Tear Jerker Thread
From: Beer
Date: 24 Jan 07 - 12:11 AM

Right on Slag.
Beer (adrien)


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Subject: RE: The Tear Jerker Thread
From: Slag
Date: 23 Jan 07 - 05:24 PM

You can't beat "Casey's Last Ride" K. Kristofferson!


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Subject: RE: The Tear Jerker Thread
From: Stilly River Sage
Date: 23 Jan 07 - 05:10 PM

I can't find myself moved to do anything but laugh, or groan, or throw up at most of the suggestions in this thread. I know a few of them are tongue-in-cheek, but most seem to be offered in all seriousness. I still think there's something in the American culture or temperament that I just don't get.

I agree, as stated before, that you've missed the way these are appreciated. I conjecture that the problem is the tone the voice in your head uses when reading most of these entries. Context is everything here. Were some of these songs played alongside the actual news of war, disaster, and mayhem in the world today, I'd be appalled. These songs are sung with the intent of generating a visceral response. I wouldn't call them "emotional rape." I think "emotional masturbation" is closer to the mark. :) Or if you want to sound scholarly, call it "emotional onanism."

SRS


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Subject: RE: The Tear Jerker Thread
From: JeremyC
Date: 23 Jan 07 - 04:42 PM

Haha, Kendall beat me on the 'emotional rape' comparison.

I like sad songs, but they have to come by it honestly. So there.


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Subject: RE: The Tear Jerker Thread
From: JeremyC
Date: 23 Jan 07 - 04:41 PM

Marje:

I think the "high feeling/low sentimentality" is a big part of why I prefer Carthy's version of "His Name is Andrew." Martin Carthy seems to play everything very straight and let the song do what it needs to do.

I tend to respond less to something if it seems overplayed, sentimental, or manipulative. The Phil Ochs song I posted earlier is moving because it's basically a description of his loss of purpose in the wake of the 1968 DNC. There's a guy I know, too, who has written some incredibly affecting songs, and it's because they're straight with you. They're matter-of-fact, without any attempt at dramatizing anything. One of his, about losing each of his parents, is one of the best songs I've heard anywhere, and it's because he...well, he does what Martin Carthy does--he lets the song do what it needs to do without getting in the way or trying to force an audience reaction. Townes Van Zandt could do it, too, although the people who have covered him haven't always been as successful.

Maybe what I mean is that a moving song should be cathartic in some way, while a song that crassly manipulates you (if successful) is more like an emotional rape.


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Subject: RE: The Tear Jerker Thread
From: Scoville
Date: 23 Jan 07 - 04:12 PM

So do I, but it doesn't save me from freakin "Faded Coat of Blue".

For the record--Aspies feel emotion just like everyone else, we're just not sure what to do with it.


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Subject: RE: The Tear Jerker Thread
From: kendall
Date: 23 Jan 07 - 04:09 PM

My ex wife used to call those tear jerkers "emotional rape".

I know a couple of people who do not understand the attraction of such songs. They both have Asbergers Syndrome.


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Subject: Lyr Add: HIS NAME IS ANDREW (David Ackles)
From: JeremyC
Date: 23 Jan 07 - 03:58 PM

This song hasn't ever made me cry, but I think it's moving.

Although it's by David Ackles, I prefer Martin Carthy's cover to the original (most of the stuff on Ackles' album was way, way overdone).
His name is Andrew
He works at the canning factory
He doesn't have a friend
He chooses to wait alone for his life to end

When Andrew was just a little boy
He learned all the words to all the hymns of joy
And he sang them on Sunday
And he sang them on Monday
And through April and through May
And he heard them say:
"God is love,
God is love" - and he believed them

This child was Andrew
He lived in a world of no sense
On him the lion grinned (?)
He sang in the arms of God as he strung along

When Andrew was tall and twenty-one
He wandered far from God and wondered what he'd done
For he still sang on Sunday
Though he muddled through Monday
With a silence in his head
'Till in jest, it said:
"God redeems,
God redeems" - and he believed it.

This man was Andrew
On hearing a voice he thought was stilled
Returned to the arms of grace
He stumbled from the arms of night
Into a lighted place

When Andrew returned into the light
He lifted his voice and sang away the night
And the preacher from Sunday
Heard him singing on Monday
And he stopped him with a word
From the dark, he heard:
"God is dead,
God is dead" - and he believed it.

My name is Andrew
I work in the canning factory
I do not have a friend
I choose to wait alone for this life to end.


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Subject: Lyr Add: ONE DYIN' AND A BURYIN'
From: Cruiser
Date: 23 Jan 07 - 03:33 PM

Flash Company mentioned one of my all-time favorite tearjerker songs, the very antithesis of have a Zip-a-dee-doo-dah day.

ONE DYIN' AND A BURYIN'

Well, I think I finally found me a sure-fire way to forget
It's so simple, I'm surprised I hadn't done thought of it before yet
It's foolproof - well, it's foolhardy, maybe, but who knows
Anyway, here I am walking toward where the cold dark water flows
Cos all it takes is:

One dying and a buryin'
One dying and a buryin'
Some crying
Six carrying me
I wanna be free

Oh...I wanna be free
Free from all this heartache and regret
And free from pining for the love I can't forget
The love that once was warm and then just somehow turned to hate
Made my life a prison from which there's only one escape
And that's:

One dying and a buryin'
One dying and a buryin'
Some cryin'
Six carryin' me
I wanna be free

One dying and a buryin'
One dying and a buryin'
Some cryin'
Six carryin' me
I wanna be free


Debut Date:    07/24/65
Peak Position: 10 Pop Pos: 34
Weeks Charted: 12
Source: Joel Whitburn's Top Country Singles 1944-1993 Billboard

Roger Miller, vocalist/humorist/guitarist/composer/songwriter/drummer, was once a fine fiddler. A lifelong smoker, he died of cancer on 10/25/92.

I am listening to the song now and the following line always makes me ponder about life, love, hate, and loss:

"The love that once was warm and then just somehow turned to 'hate'"

So true, but how is it possible for that to happen? If you have ever experienced that aspect of lost love then you can empathize with the lyrical phrase. I guess it is just another one of life's great conundrums…

Roger Miller's Official Website

Cruiser


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Subject: RE: The Tear Jerker Thread
From: fat B****rd
Date: 23 Jan 07 - 03:24 PM

I've always thought the words to "Hickory Holler's Tramp" were pretty moving but "Running Bear" has always been a sad favourite of mine. However, many years ago a friend was given a pile of 78s among which was a real "Good Old Days" (UK TV) singalong chorus waltz called "Don't 'ang My 'Arry". Phew !!


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Subject: RE: The Tear Jerker Thread
From: Cruiser
Date: 23 Jan 07 - 01:59 PM

Gee Marje, are you an Old Maid and/or ugly as a mud fence? If so, do I have a song for you.


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Subject: RE: The Tear Jerker Thread
From: Marje
Date: 23 Jan 07 - 01:47 PM

JeremyC - yes, I agree that it's very often the actual performance that moves me, and the whole ambiance and context in which it takes place. I was trying to think, after I'd posted, which songs or tunes had made me cry, and it was always individual performances that came to mind. For this reason, I wouldn't list the songs, but for the most part they are very simple, direct songs, full of feeling but devoid of sentimentality.

In a newspaper article recently, a journalist wrote: "Sentimentality is the tribute that indifference pays to feeling. It is to compassion what clichés are to thought." That's how I see it too.

I can't find myself moved to do anything but laugh, or groan, or throw up at most of the suggestions in this thread. I know a few of them are tongue-in-cheek, but most seem to be offered in all seriousness. I still think there's something in the American culture or temperament that I just don't get.

Marje


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Subject: RE: The Tear Jerker Thread
From: GUEST
Date: 23 Jan 07 - 12:26 PM

"....he smiled as we parted, 'cos he didn't know

that we lost our baby, at the first fall of snow".

Hank, of course.


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Subject: RE: The Tear Jerker Thread
From: eddie1
Date: 23 Jan 07 - 11:55 AM

Thanks Kendall - I'll use that one

Eddie


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Subject: RE: The Tear Jerker Thread
From: kendall
Date: 23 Jan 07 - 11:31 AM

..when you die and go to heaven,
All the trains there you can ride,
The hard boiled brakeman and the hobo
Sleep there peaceful side by side.


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Subject: RE: The Tear Jerker Thread
From: Flash Company
Date: 23 Jan 07 - 10:18 AM

Roger Miller.. One Dying and a Burying.

FC


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Subject: Lyr Add: HOBO'S LULLABY (Goebel Reeves)
From: eddie1
Date: 23 Jan 07 - 04:11 AM

Must be some twenty years since I first heard the late Danny Kyle sing "Hobo's Lullaby", a song by Goebel Reeves, "The Texas Drifter". Sadly, I was on tour in Bavaria when I heard of Danny's death and couldn't make the funeral.
Since then I have heard the Goebel Reeves version and guess if I'd only heard that, I'd never have learnt it.
For about 10 years, Danny and I did a Burns Night at "The Swan" in Grasmere and for that reason, I'll play Danny's version of the song on my radio programme on the 25th and I'll have a lump in my throat.

HOBO'S LULLABY
(Goebel Reeves)

Go to sleep, you weary hobo
Let the town drift slowly by;
Listen to the steel rails humming
That's the hobo's lullaby.

Do not think about tomorrow;
Let tomorrow come and go.
Tonight you have a nice warm boxcar
Free from all the ice and snow.

I know the police cause you trouble,
They make trouble everywhere;
But when you die and go to heaven,
Well, you won't find police there.

Now do not let your heart be troubled
If the world calls you a bum;
'Cause if your mother lives, she loves you
Well, you are still your mother's son.

Eddie


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Subject: RE: The Tear Jerker Thread
From: JennyO
Date: 23 Jan 07 - 02:27 AM

And "Baby has gorn dahn the Plug'ole" is not supposed to be taken seriously.

Erm - I think I already knew that.


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Subject: RE: The Tear Jerker Thread
From: Lin in Kansas
Date: 23 Jan 07 - 02:02 AM

There's always the one called "Little Blossom"--there are two versions of it in the DT. I just listened to a third version from a CD called "Mountain Music Collection" by Wild and Reckless Men, which varies a bit from the DT versions (and no, I'm not going to transcribe the thing just now; I couldn't stand to listen to it again!)

This is one of the albums we used to take with us on long trips, but both of us would reach for the "Skip" button when Little Blossom came on. Gaaaahhhhhhhhhh...barf. We have the same reaction to Wreck on the Highway--but to each his own, as they say.

Lin


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Subject: RE: The Tear Jerker Thread
From: Bert
Date: 23 Jan 07 - 01:39 AM

Goodbye Old Ship of Mine.
Hobo Bill.
Noreen Bawn.
While London Sleeps.

And "Baby has gorn dahn the Plug'ole" is not supposed to be taken seriously.


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Subject: Lyr Add: BLACK DENIM TROUSERS (Leiber/Stoller)
From: Lin in Kansas
Date: 23 Jan 07 - 01:15 AM

And there's always "Black Denim Trousers" that was on the back side of a 78 we had. Side A was called "The Creep," I think. We played "Trousers" so much that my dad pitched it out on the driveway, where it broke into smithereens. I always wound up with a mental picture of this biker dude flying down the highway, buck naked, on the back of his bike...?

Lin in Kansas
_____________________________________

Black Denim Trousers
Words and Music by Jerry Leiber and Mike Stoller
as sung on "The Diamonds Collection"
Stardust CD-1010 (charted by The Cheers at # 6 in 1955)

He wore black denim trousers and motorcycle boots
And a black leather jacket with an eagle on the back
He had a hopped-up 'cicle that took off like a gun
That fool was the terror of Highway 101

Well, he never washed his face and he never combed his hair
He had axle grease imbedded underneath his fingernails
On the muscle of his arm was a red tattoo
A picture of a heart saying "Mother, I love you"

He had a pretty girlfriend by the name of Mary Lou
But he treated her just like he treated all the rest
And everybody pitied her 'cause everybody knew
He loved that doggone motorcycle best

He wore black denim trousers and motorcycle boots
And a black leather jacket with an eagle on the back
He had a hopped-up 'cicle that took off like a gun
That fool was the terror of Highway 101

Mary Lou, poor girl, she pleaded and she begged him not to leave
She said "I've got a feeling if you ride tonight I'll grieve."
But her tears were shed in vain and her every word was lost
In the rumble of his engine and the smoke from his exhaust

He took off like a Devil; there was fire in his eyes!!
He said "I'll go a thousand miles before the sun can rise."
But he hit a screamin' diesel that was California-bound
And when they cleared the wreckage, all they found

Was his black denim trousers and motorcycle boots
And a black leather jacket with an eagle on the back
But they couldn't find the 'cicle that took off like a gun
And they never found the terror of Highway 1 oh 1.

You can hear this one at this URL.


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Subject: Lyr Add: DAYS OF SAND AND SHOVELS
From: Cruiser
Date: 23 Jan 07 - 12:19 AM

I posted this on an earlier thread about melodramatic songs:

A beautiful melodic, lyrical ballad notwithstanding it's very sentimental, although meaningful, context; one of my all-time favorite tearjerkers.

DAYS OF SAND AND SHOVELS
(Bud Reneau / Doyle Marsh)
Jim Ed Brown - 1970
Lyricsplayground.com


When I noticed her the first time
I was outside running barefoot in the rain
She lived in the house next door
Her nose was pressed against the window pane
When I looked at her she smiled
And showed a place where two teeth used to be
And I heard her ask her mom
If she could come outside and play with me

Soon the days of sand and shovels
Gave way to the mysteries of life
Then I noticed she was changing
And I looked at her through different eyes
We became as one and knew a love
Without beginning or an end
And everyday I lived with her
Was like a new day dawning once again

And I've loved her since
Every doll was Shirley Temple
Soda pop was still a nickel
Jam was on her fingertips
Milk was circled on her lips

After many years our love grew silent
And at night I heard her cry
And when she left me in the fall
I knew that this would be our last goodbye
I was man enough to give her
Everything she needed for a while
But in searching for a pefect love
I found that I could not give her a child

Now she lives a quiet life
And is a mother of a little girl
And everytime I pass her house
My thoughts go back into another world
Cause I see her little girl
Her nose is pressed against the window pane
And she thinks I'm a lonely man
Who wants to come inside out of the rain

And I've loved her since
Every doll was Shirley Temple
Soda pop was still a nickel
Jam was on her fingertips
Milk was circled on her lips

Bobby Vinton
Debut: 6/14/69
Peak: #34
Weeks: 8

Source: Joel Whitburn's Top Pop Singles 1955-2002 Billboard

Waylon Jennings
Debut: 5/24/69
Peak: #20
Weeks: 12

Nat Stuckey also had a #26 country hit with this song in 1978.

Source: Joel Whitburn's Top Country Singles 1944-1993 Billboard

Cruiser


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Subject: Lyr Add: ROCK MY CRADLE ONCE AGAIN
From: Cruiser
Date: 22 Jan 07 - 11:41 PM

ROCK MY CRADLE ONCE AGAIN

Recorded by Hank Williams, Sr.
Writers: Johnny Bond and Billy Folger

[c] Far away from friends and loved ones
'mid the [g7] storm, a soldier [c] lay
Gathered 'round him all his buddies
Raised his [g7] head, we heard him [c] say.

There's a [f] lamp light in the [c] window
Where an [f] angel from a-[c] bove
Gently [f] rocked my baby [c] cradle
With such [g7] tender care and [c] love.

Mother [f] dearest, darlin' [c] mother
It would [f] ease this awful [c] pain
If she'd sing until i'm sleepin'
Rock my [g7] cradle once a-[c] gain.

'neath the palms tonight he's sleepin'
On an island far away
Tho' the years pass on in sorrow
I still recall his words today.


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Subject: Lyr Add: THEY'LL NEVER TAKE HER LOVE FROM ME
From: Cruiser
Date: 22 Jan 07 - 11:33 PM

THEY'LL NEVER TAKE HER LOVE FROM ME

Written by Leon Payne

Sung by Hank Williams Sr.

If today the sun should set on all my hopes and cares
There is one smiling face the gods would see
Because she'll walk along beside me up the golden stairs
No, they'll never never take her love from me.

What a fool I was to go and break the trust she gave
And see her love turn into sympathy
It's the one regret I'll carry with me to my grave
Oh, they'll never ever take her love from me.

(bridge chords for solos)

I'm so thankful for each golden hour of happiness
That we shared together in the used to be
Someone else's arms may hold her now in fond caress
But they'll never never take her love from me.

I thought I'd make her happy if I stepped aside
But I knew her love would never set me free
And even on the morning she became another's bride
I said they'll never never take her love from me.


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Subject: Lyr Add: DON'T TELL MAMA
From: Lin in Kansas
Date: 22 Jan 07 - 11:23 PM

Bluegrass music is full of these old songs, as pointed out above with "Wreck on the Highway" and several others. But even the modern guys do them. Here's one Gary Allan does on his "Smoke Rings in the Dark" album. Granted, he's classified country, but his stuff is fairly contemporary anyway. I only have lyrics; don't know who wrote it. He does a great job of singing it.

Lin in Kansas
__________________________________________________
Artist/Band: Allan Gary
DON'T TELL MAMA

I was headed north on Highway Five
On a star-lit Sunday night
When a pick-up truck flew by me out of control
As I watched in my headlights
He swerved left then back right
He never hit the brakes
As he left the road

I found him lying in the grass
Among the steel and glass
With an empty whiskey bottle by his side
And through the blood and tears
He whispered in my ear
A few last words just before he died

CH: Don't tell Mama I was drinkin'
Lord knows her soul would never rest
I cain't leave this world with Mama thinkin'
I met the Lord with whiskey on my breath

I still think about that night
And how that young man died
And how others sometimes pay for our mistakes
The last thing on his mind
As he left this world behind
Was knowing someone else's heart would break

CHORUS
FADE...
Don't tell Mama I was drinkin'


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