Subject: KING HENRY (Child #32) From: Jack Blandiver Date: 26 Aug 07 - 09:04 AM Just kicking around for versions, variations, fragments, analogues, sources, mutations & general info on the ballad of King Henry (Child #32) - all ideas welcome. My own version (as Eleanor's Visceral Tomb) is presently available entirely gratis at Lady, Hap Yer Lingcan |
Subject: RE: KING HENRY From: Susan of DT Date: 26 Aug 07 - 10:24 AM We have one version in the digital tradition. I am fond of the song and sing it frequently. I heard it from Steeleye Span a looong time ago. Also recorded by:
Heather Alexander/Festival Wind Martin Carthy/Sweet Wivelsfield, Carthy Chronicles Uncle Dirtytoes/Make Them Come Alive A Chorus of Two King Henry As It Were .. So to Speak Bären Gässlin Herr Heinrich Mythomania - Von Hexen, Feen, Wassermännern, Zauberern Und Geistern Cloudstreet King Henry Violet Sarah and Muckle John Heather Alexander King Henry/Black Nag Festival Wind Lorna MacDonald Czarnota King Henry Dancing in Dark Waters Martin Carthy King Henry The Carthy Chronicles Martin Carthy King Henry Sweet Wivelsfield Martin Carthy King Henry Shearwater Steeleye Span Jigs + King Henry Live BBC Steeleye Span King Henry The 35th Anniversary World Tour Steeleye Span King Henry In Concert [Steeleye Span] Steeleye Span King Henry Folk Rock Pioneers in Concert Steeleye Span King Henry/Rosebud in June Present - The Very Best of Steeleye Span Tarujen Saari Kuninkaan Pidot Susien Yö - Delirium Lupus The Bringers King Henry It's About Time [Bringers] The Pratie Heads King Henry Early Fare Uncle Dirtytoes King Henry Make Them Come Alive - Live at Stony Point Barn Ween King Henry Big Tim Wasserman - The Pod Outtakes II Sorry for the duplication - this is from a couple of websites and it is time to leave for the Jean Ritchie picnic. I may clean it up later. |
Subject: RE: KING HENRY From: Q (Frank Staplin) Date: 26 Aug 07 - 03:11 PM The story of one doing deeds requested of him by an animal, ghost, etc., and being rewarded by a transformation of the apparition, is an old one, and "King Henry" is an excellent telling of the tale. Bronson said " Mrs. Brown of Falkland is again the sole preserver of this offshoot of Arthurian romance. Her tune has been saved in two manuscripts, the "abbotsford" manuscript of Scottish songs in Scott's library, and William Tyler's manuscript at Aldourie Castle ....." In other words, variations and mutations would be those of more modern singers such as those listed by Susan of DT. A stray thought- would the story of King Henry II and the Miller of Mansfield perhaps provide inspiration for a variant, possibly involving cuckoldry? This ballad is in the Bodleian Library, Harding B 2(82). I couldn't find it in the DT. |
Subject: RE: King Henry From: GUEST,YOUTUBE Date: 26 Aug 07 - 03:24 PM There's a version of KH available in Youtube. I think it's Steeleye Span themselves! But something goes wrong: the singer forgets the words and gets lost. |
Subject: RE: King Henry From: The Borchester Echo Date: 26 Aug 07 - 04:14 PM Oh dear. That is truly awful. This is roughly what they were supposed to be doing. |
Subject: RE: King Henry From: Q (Frank Staplin) Date: 26 Aug 07 - 06:15 PM Ugh! In any case, the noisy percussion makes the words unintelligible. |
Subject: RE: King Henry From: Q (Frank Staplin) Date: 26 Aug 07 - 09:16 PM Bronson speaks of the tune used by Mrs. Brown. In an article in the California Folklore Quart., vol. 1, no. 2, Apr. 1942, he speaks of this tune ("Professor Child's Ballad Tunes," pp. 185-200). "The fifth and last of Child's Abbotsford tunes is "Lady Elspat" (Child, 247b). .... Ritson giving the Abbotsford tune to the following ballad in his transcript: namely, to "King Henry" (Child 32). The words of "King Henry" fit the tune without much difficulty. The proper tune, therefore, for "Lady Elspat" is the following" [short score given] (pp. 191-192). Do any of the recorded versions use Mrs. Brown's 'Abbotsford' tune or the one in Tyler's MS.? |
Subject: RE: King Henry From: Malcolm Douglas Date: 26 Aug 07 - 10:15 PM I'm from home just now, but will try to check that when I get back to Sheffield. I can add, for what it's worth, that the tunes used by Steeleye Span and by Martin Carthy don't belong, traditionally, to this song. S Span used a tune more usually associated with 'The Shepherd's Song' (mostly found in the Southern counties of England), while Martin used (if I remember correctly) an American version of 'Bonaparte Crossing the Rhine'. Can't be more than one Sedayne. Do you ever get down to Sheffield these days? I don't do sessions much any more, but have fond memories of your occasional visits back when Raymond and I ran the Wednesday sessions at the Dog and Partridge. First time I'd ever seen a crwth in action. |
Subject: RE: King Henry From: Q (Frank Staplin) Date: 26 Aug 07 - 11:14 PM Very familiar with the old 4/4 tune "Bonaparte Crossing the Rhine" (Sherman's March); I have a hard time hearing it as a tune for "King Henry." |
Subject: RE: King Henry (Child #32) From: The Borchester Echo Date: 27 Aug 07 - 02:08 AM The tune Martin Carthy uses for it on Sweet Wivelsfield is Bonaparte's Retreat. |
Subject: RE: King Henry (Child #32) From: Jack Blandiver Date: 27 Aug 07 - 03:49 AM Many thanks for all this; once again, do check out my own version at Lady, Hap Yer Lingcan which won't cost you a penny... There's quite possibly a gig coming up at The Grapes in Sheffield (September 11th?) in which I'll be doing a largely improvised set with Sheffield's own Martin Archer & Niel Carver; featuring both the crwth & King Henry... |
Subject: RE: King Henry (Child #32) From: Q (Frank Staplin) Date: 27 Aug 07 - 01:22 PM Which "Bonaparte's Retreat?" 1. An alternate name for the marches "Bonaparte Crossing the Rhine" and "Bonaparte Crossing the Rocky Mountains." 2. "Bonaparte's Retreat," the dance-fiddle tune (march, reel) to which Johnny Horton set lyrics. 3. ? I have listened to a clip from the Sweet Wivelsfield recording and really can't identify either. Or did Carthy write his own tune, with some borrowed elements? |
Subject: RE: King Henry (Child #32) From: The Borchester Echo Date: 27 Aug 07 - 02:11 PM He says he got it off Mike Seeger. |
Subject: RE: King Henry (Child #32) From: The Borchester Echo Date: 27 Aug 07 - 03:15 PM . . . was just listening to it as played by his daughter Eliza and the Kings of Calicutt band. There are a million examples of it up there. Here's one of perhaps how not to. |
Subject: RE: King Henry (Child #32) From: Q (Frank Staplin) Date: 27 Aug 07 - 03:56 PM Yikes! A real ear twister. Aly Bain plays the tune I know, but slower. Bonapartes Retreat The Custer City band has the speed, but beware those ear-twister notes! Bonaparte retreated |
Subject: RE: King Henry (Child #32) From: Q (Frank Staplin) Date: 27 Aug 07 - 04:13 PM Sorry! Aly Bain- http://youtube.com/watch?v=eNigFpaBBf8 Bonaparte |
Subject: RE: King Henry (Child #32) From: The Borchester Echo Date: 27 Aug 07 - 04:22 PM That Custer City Band version (complete with howling gale) is fab! But just imagine it incorporating the Kings of Calicutt half-bars missing here and there. And Eliza putting some Kay Starr vocals (got from her mum) on top . . . That K of C Calicutt CD is 10 years old now, I see. Must play it more. Ah, Aly Bain, yes. Your link doesn't work, says it's a 'malformed video link'. If it was to the Transatlantic Sessions recording, I see the point. It's a bit slick and awful (sorry Aly, not actually your fault): Bonaparte's Retreat (Transatlantic Sessions) It reminds me rather too much of Campdown Races, somehow.
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Subject: RE: King Henry (Child #32) From: The Borchester Echo Date: 27 Aug 07 - 04:45 PM And now, notation, tab and MIDI, How complete is that? |
Subject: RE: King Henry (Child #32) From: Q (Frank Staplin) Date: 27 Aug 07 - 07:45 PM Very, very complete. Martin Carthy didn't use either of the Bonapartes mentioned so far, but it does sound pretty generic so it could be a number of tunes (I only have a sound clip of Carthy's Henry, however). |
Subject: RE: King Henry (Child #32) From: Malcolm Douglas Date: 27 Aug 07 - 08:58 PM Ah, yes, the Retreat. I knew it was a Bonaparte tune, but here in Darkest Norfolk I don't have my usual resources to hand. Swarbrick used it, incidentally, as an instrumental break in Fairport's 'Sloth' (Full House). Who was it who introduced a quote from 'The Streets of Cairo' into it? I think that has been discussed here somewhere, and I used to play it that way myself. |
Subject: RE: Lyr Req: King Henry (Child #32) From: Joe Offer Date: 24 Oct 22 - 06:55 PM Which Henry was this? |
Subject: RE: Origins: King Henry (Child #32) From: Susan of DT Date: 25 Oct 22 - 05:56 AM It is not tied to a real English monarch. I like to think it is Henry II, but that is unlikely. The setting seems older than the Norman Conquest - not that it was written that long ago. |
Subject: RE: Origins: King Henry (Child #32) From: GUEST,RA Date: 25 Oct 22 - 06:59 AM There were no Kings named Henry before the Norman Conquest. |
Subject: RE: Origins: King Henry (Child #32) From: Susan of DT Date: 26 Oct 22 - 07:37 PM There were "kings" on every hilltop. But yes, Henri is a French name. |
Subject: RE: Origins: King Henry (Child #32) From: Susan of DT Date: 26 Oct 22 - 07:41 PM It is highly unlikely to be anything like historically real, so we can imagine any king we like. |
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