ALLEY CROAKER [Alicia Crocker]
There liv'd a man in Ballinocrazy,
He wanted a wife to make him uneasy;
Long had he sighed for his dear Alley Croaker,
And thus the gentle youth bespoke her,
Will you marry me, dear Alley Croaker?
Will you marry me, dear Alley Croaker?
This artless young man, just come from the schoolery,
A novice in love and all its foolery;
Too dull for a wit, - too grave for a joker,
And thus the gentle youth bespoke her -
Will you marry me, &c.
He drank with the father, he talked with the mother,
He romp'd with the sister, he gam'd, with the brother;
He gam'd till he pawn'd his coat to the broker,
Which lost him the heart of his Alley Croaker.
Oh! the fickle &c.
To all young men who are fond of gaming.
Who are spending their money while others are saving,
Fortune''s a jilt, the devil may choke her,
A jilt more inconstant then Alley Croaker.
Oh! the inconstant &c.
Larry Grogan was an Irish piper of the first half of the 18th
century, traditionally credited with composition of "Ally Croker"
about 1725. The tune for this is familiar as that for William
Collins' "Golden Days of Good Queen Bess," George Colman's
"Unfortunate Miss Bailey," and Samuel Woodward's "The Hunters of
Kentucky." T. Crofton Croker in <>,
1839, related a traditional story about the composition of the
tune for "Ally Croaker," about 1725. The song of that title was
said to be written on rejection of his suit by a jilt, Alicia
Croker. I had doubts about this story until I found that there is
a single sheet copy of the song with music of about 1730, with
Alicia Croker's last name spelled correctly. Unfortunately I have
not seen a copy of this issue, which commences "There lived a man
in Ballenocrazy". Other copies of the song and tune, of which
there are many, stem from 1753, when it appeared as "Ally
Croaker" in S. Foote's <>. The tune
under the "Ally Croaker" title appeared with and without the song
in several publications over the next few years. A copy of the
song "Ally Croaker" in <>, London, 1753,
was termed "A New Song". This did not fool everyone. In G. A.
Stevens' <>, 1772, is a song with
tune direction "Ally Croker", not "Croaker".
Wm. Chappell in <>, p. 713,
unaware of the early single sheet issues of "Ally Croker" assumed
the song "Ally Croaker" originated in Foote's play. He stated
that the tune appeared in <>, 1729, as the tune
for a song "No more, fair Virgins boast your power". The tune in
<> seems to me to be only vaguely similar to
"Ally Croker". Much more familiar, but still a poor version of
the tune, is an untitled set in the ballad opera <Home>>, 1739.
I have not run across any early copy of Wm. Collins' "The
Golden Days of Good Queen Bess". With music it is in <British Musical Miscellany>>, p. 42, Edinburgh, 1805. As with
George Colman, Irish tunes were favorites with Collins and
several, including some now unknown, are cited for songs in his
<>, 1787. [Unknown, at least to me, are
"Pegeine O'Leary", "Pearl of Wicklow" and "Mortaugh Delany and
Jenny O'Danelly"]
A song, "The Irish Proker", Sung by Mr. Dignum, <Chearfulness, or Merry Songster's Companion>>, p. 145, 1789. -
"About 20 years ago Ally Croaker made a great noise"
@courtship
filename[ ALYCRKR
tunes: ALYCRK2, Britons strike Home
ALYCRK3, Riley's Flute Melodies
TUNE FILE: ALYCRK1
CLICK TO PLAY
WBO
Apr98
mudcat.org
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