TESTIMONY OF PATIENCE KERSHAW
It's good of you to ask me, Sir, to tell you how I spend my days
Down in a coal black tunnel, Sir, I hurry corves to earn my pay.
The corves are full of coal, kind Sir, I push them with my hands and head.
It isn't lady-like, but Sir, you've got to earn your daily bread.
I push them with my hands and head, and so my hair gets worn away.
You see this baldy patch I've got, it shames me like I just can't say.
A lady's hands are lily white, but mine are full of cuts and segs.
And since I'm pushing all the time, I've got great big muscles on my legs.
I try to be respectable, but sir, the shame, God save my soul.
I work with naked, sweating men who curse and swear and hew the coal.
The sights, the sounds, the smells, kind Sir, not even God could know my pain.
I say my prayers, but what's the use? Tomorrow will be just the same.
Now, sometimes, Sir, I don't feel well, my stomach's sick, my head it aches.
I've got to hurry best I can. My knees are weak, my back near breaks.
And then I'm slow, and then I'm scared these naked men will batter me.
But they're not to blame, for if I'm slow, their families will starve, you see.
Now all the lads, they laugh at me, and Sir, the mirror tells me why.
Pale and dirty can't look nice. It doesn't matter how hard I try.
Great big muscles on my legs, a baldy patch upon my head.
A lady, Sir? Oh, no, not me! I should've been a boy instead.
I praise your good intentions, Sir, I love your kind and gentle heart
But now it's 1842, and you and I, we're miles apart.
A hundred years and more will pass before we're standing side by side
But please accept my grateful thanks. God bless you Sir, at least you tried.
From the "Generations" CD, by Sally Rogers. This CD has yet another version
of the Sojourner Truth speech, along with a number of other powerful songs.
Sally's notes say that the words to this song are derived from a transcript
of testimony gathered by the Ashley Mines Committee from 17-yr-old Patience
Kershaw in 1842. By then, Patience had worked in the mines for most of her
life, the effects of which are clear in this song....the song was
written by Englshman Frank Higgins, whom Sally was unable to locate. JO
Also recorded by Frankie Armstrong
@mining @English @work
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