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Do ye ken John Peel with his coat so gay?
Do ye ken John Peel at the break of day?
Do ye ken John Peel when he's far, far away
With his hounds and his horn in the morning

Twas the sound of his horn brought me from my bed
And the cry of his hounds has me oftimes led
For Peel's view holloa would wake the dead
Or a fox from his lair in the morning

Do ye ken that hound whose voice is death?
Do ye ken her sons of peerless faith
Do ye ken that a fox with his last breath
Cursed them all as he died in the morning?

Yes, I ken John Peel and auld Ruby, too
Ranter and Royal and Bellman so true
From the drag to the chase, from the chase to the view
From the view to the death in the morning

And I've followed John Peel both often and far
O'er the rasper fence and the gate and the bar
From Low Denton Holme to the Scratchmere Scar
When we vied for the brush in the morning

Then here's to John Peel with my heart and soul
Come fill, fill to him a brimming bowl
For we'll follow John Peel thro fair or thro foul
While we're waked by his horn in the morning

@hunt @English
printed in Cumbrian Songs and Ballads by Keith Gregson
filename[ JOHNPEEL

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In Mudcat MIDIs:
John Peel ( -W. Metcalfe's version, 1868. This is referred to in more detail above; bear in mind that the tune usually used nowadays is just the third part (refrain) of the original. )
Red House (ancestral to 'Do YOu Ken John Peel' from Playford's Dancing Master (1706). The tune first appeared in the edition of 1695 in a slightly different form. )
Tycoch Caerdydd (The Red House of Cardiff) ( -from Alawon Fy Ngwlad, c.1896. Described as a pib-ddawns (pipe-dance). ancestral to John Peel)
Where Will Our Goodman Laye (from Oswald's Caledonian Pocket Companion for the Flute, vol.II, c.1750. ancestral to 'John Peel')


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