Howard Jones wrote this interesting reply:

"In the British Isles the guitar as a folk instrument is very much a feature of the modern revival and is largely an American influence. In American folk music, of course, the guitar is authentic."

I'm curious and maybe a wee bit confused, Howard, so here are a few burning questions: (1) What does folk music from the "British Isles" refer to specifically, in terms of style as well as geographical boundaries, in your good view?

(2) What do you mean by 'authentic' in your statement that "the guitar is authentic" in American folk music? (Please say more about 'authentic' in the context in which you use this term.)

And last, would you mind answering these (hopefully not taxing) questions: (3) Is it important that an instrument be considered 'authentic' in (a type of) music? (4) Do you suppose musicians who might be deemed 'authentic' in a living tradition think of themselves as being 'authentic'?

I would appreciate it greatly, Howard, if you would shed some light on these matters, for clarity's sake. I gather that you know what you are saying, but it may not be so obvious to the reader what you are saying. One might infer a lot, and I, for one, will try not to make that mistake again. Thank you in advance.

Best ~ Tom Hanway