I have learned a lot in this thread which I really appreciate
I think that I understand the cross key thing ie that depending on the range of the song one whistle often fits better. And often that’s the one that allows you to go down from the tonic note as well as up
I see that when we play and sing that one works better
Let me put a bit of context here. These are things from practice not finished things but what prompted me to understand more about how whistles work with guitars and voices
2 4 5 and 12 have whistles on Practice things 1 and 1 on this one which was one of the questions about E on an A whistle Practice 2
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sj