There have been some articles in the Concertina Journal on topics related to routines holding the English concertina: First a survey by Allan Atlas concerning the role of the fourth finger as described in some historic tutors: https://www.concertinajournal.org/articles/the-english-concertina-and-finger-4/ Then some views from an ergonomic outlook were added by myself: https://www.concertinajournal.org/articles/the-english-concertina-and-the-dilemma-of-the-fourth-finger/ Recently Henrik Müller described his personal modifications of an English by using just a handstrap similar to the routine with Anglos based on his interest in playing trad Irish tunes with his English in an Anglo-like manner: https://www.concertinajournal.org/articles/no-thumb-straps-no-finger-rests-but-it-is-an-english-a-personal-journey/ Those articles all touch the general problems related to inevitable conflicts between needs for *stability* ( to pump efficiently and to articulate tone ) and *flexibility* ( to reach as many buttons on the keyboard as possible ). All concertinas suffer from such dilemmas due to the habit carrying the instruments between the hands/arms while simultaneously trying to manipulate them in various ways making music.... Read, consider, and do discuss if you like.. Best wishes Goran Rahm
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