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User Name | Thread Name | Subject | Posted |
GUEST,Pseudonymous | Dave Harker, Fakesong (981* d) | RE: Dave Harker, Fakesong | 18 Feb 20 |
For me it stands to reason that it might not be a good idea to use the same set of chords to harmonise a melody drawn from a scale with b3 b6 b7 (as compared with the major/ionian starting on the same tonic) as to harmonise a melody drawn from a scale with b3 b9 (as compared with the major/ionian staring on the same tonic). The key problem probably being that b6. But perhaps Steve could enlighten us on how this works in practice? |