To answer Sandra's question a bit more seriously, i.e. what's in the drawer - probably at least 50-100 different club/concert recordings, I do not have a count, on cassette/analogue video tape/a few CDR (DAT quality) and a few of the more recent ones as digital video (but not many of the latter), mostly trad and contemporary folk with a little jazz and country. Quality to posterity is variable - some local performers only of no general interest, others are professionals or semi-professional, either in UK or (since 1986) Australians, and Americans/UK on tour in Oz; some of the tape quality is variable too, especially the earlier ones. If I work up 2-3 per year for release there is probably 20+ years' work there, by which time I will be approaching ninety! So perhaps I should get my skates on. As discussed earlier, one stumbling block is getting performers' permission to release - but perhaps I should try harder - a few feelers put out in the past but no concerted effort. However (for example) both Nic Jones and Chris Foster have come to the party this year, so to speak... others just put put out there for "historic interest" without asking permission thus far.