“PAUSARIUS, qui remigibus modos dabat, & remigandi officium quadam quafi pausâ moderabatur, olim dictus eft: Senecæ Keleuste. Nam in navi fuiffe Symphoniacos, qui celeufma remigibus canerent, & per affam vocem, i.e. ore, prolatam, illorum laborem demulcerent, ex Afconio ad divin. Cicer. docet Pignorius Comm. de Servis. In Argo fanè navi, teftatur Hyginus, Orphea per citharam celeufma nioderatum effe, quod & tetigit Valerius Flaccus Argonauticon l. m. v. 470. Nec verò Othryfius t?anftris impenditur Orpheus, Aut pontum remo fubigit, fed carmime tonfus Ire docet, fummo paffim ne gurgite pugnent. Vide quoque eundem eod l. v. 184. Martialem l. 4. Epigram. 64. Rutilium Numatianum l. 1. &c. Nauticum hoc carmen, nauticus cantus Ciceroni eft, Nauticus clamor Virgilio Æn.l. 3. v. 128, Celeufma aliis: quod hodie, Italorum moribus, voce vel parvâ fiftulà nautis accini, Pignorius fuprà memoratus tradit. Aliam vocis notionem vide fuprà.” [Lexicon Vniversale, Vol.III, Hofmanni, 1698] "Via, via, cheerly mates!” [footnote to definition of the celeusma, Lexicon Universal, Hofmanni, 1698] A minor bit of 'cheerly' fluff for Reidler's nautical themes in pop entertainment: “We fare better; cheerly, cheerly boys, The fhip runs merrily; my Captain's melancholy, And nothing cures that in him but a Sea-fight; I hope to meet a faile boy, and a right one.” [Double Marriage, Act I, Sc.I, The Comedies and Tragedies of Beaumont & Fletcher, 1647, p.26]
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