I don't know which guitar has the most "come hither" look to it, I'm afraid. I'll try to identify the instruments in the photo for you:

Upper left background, Strat copy with pointy headstock (recently sold on Ebay);

Five-string banjo next to the strat, B&D shell with replacement neck (my late Uncle Bobby's tenor with a new neck complimants of Bates Litthales);

Goldtone Banjo-guitar (w/ Fender-style headstock);

Orpheum archtop (1943 Kay-made);

Gison A-4 (1923) w/ "snake" headstock;

Martin D-28 (1964) w/ replacement top;

In front row: Regal (recent) dobro;

Harmony Marquis mandolin (1950s?) -- which I play in preference to the Gibson, despite the Gibson's tone;

Oahu lap steel (1950s) in front, on floor.

That's about half my collection (not counting the harmonicas and Jew's harps individually).

And the D-28, at $500, the most money out-of-pocket among them.

Bob Clayton