The Mudcat Café TM
Thread #14334   Message #1455688
Posted By: Peace
08-Apr-05 - 06:23 PM
Thread Name: Lyr Req/Add: Georgia Buck
Subject: RE: Lyr Req: Georgia Buck
http://www.bluegrassmessengers.com/master/georgiabuck5.html
The Bluegrass Messengers
Georgie Buck- Version 5

Georgie Buck

Traditional Old-Time, Breakdown- Southeast: Piedmont and Appalachian region, relatively rare banjo song;

ARTIST: Played on the banjo by Dent Wimmer at his home in Floyd, Floyd County, VA.

CATEGORY: Fiddle and Instrumental Tunes; DATE: Early 1900’s;

RECORDING INFO: Global Village C217, (Black fiddle and banjo players) Joe and Odel Thompson - "Old Time Music From the North Carolina Piedmont." Rounder CD 0382, Marvin Gaster - "Uncle Henry's Favorites."

OTHER NAMES: Georgie Buck; Barbara Buck; Old Georgie Buck;

SOURCES: "The tune was also in the repertoire of Chapel Hill, North Carolina, guitarist and banjo player Elizabeth Cotten, and was played by African-American fiddler Joe Thompson in GDGD tuning." (Kuntz, Fiddler's Companion, http://www.ceolas.org/tunes/fc). American Banjo Echoes in Appalachia by Cecelia Conway. 1995); Recordings by Dick Roberts and Joe Thompson & Odell Thompson (Smithsonian Folkways SF CD 40079) and Odell Thompson (Rounder CD 0439) clearly belong to Conway's banjo song genre, although a 1927 recording by The Hill Billies (reissued on Document DOCD-8041) treats it more like a regular song. A rather odd-sounding field holler version by Leonard Emanuel (Rounder CD 0071) is indicative of another way in which this song was used. Doc Watson also does a banjo version.

NOTES: "Heard in many parts of the South, but relatively rare" (Kerry Blech). The tune is known as a black Southern banjo song.

Georgia Buck belongs to what Cecilia Conway calls 'the banjo song genre'. Such songs are usually characterized by the following five musical features: 1) rhythmic and syncopated playing throughout the performance, especially when singing; 2) elaborated instrumental interludes; 3) compressed vocal lines of two or more syllables per beat; 4) occasional but irregular interruptions by instrumental interludes within the stanza; and 5) varied repetition of instrumental elements. (American Banjo Echoes in Appalachia by Cecelia Conway. 1995).

A single verse, Barbara Buck, collected by Cecil Sharp from Laura V Donald of Dewey, VA, EFSSA No. 196, shows some similarities.

  Here are the lyrics from Dent Wimmer:
Georgia Buck is dead, Those words he said,
'Don't give a (?) when we die. Don't give a (?) when we die'.

Oh, Georgia Buck is dead, last word he said,
'Come to my grave on a (sleigh?), Come to my grave on a (sleigh?).