The Mudcat Café TM
Thread #81179   Message #1500885
Posted By: Azizi
05-Jun-05 - 11:28 PM
Thread Name: African American Secular Folk Songs
Subject: RE: African American Secular Folk Songs
Q,

I consulted three books that I have on dances during 17th-19th slavery in the Caribbean and the United States and can find no reference to a dance called the 'Candjo'.

I'm wondering if the quadroon neigbor meant the 'Calenda '{Kalinda} which is one of the early African derived dances that is extensively documented in the Caribbean and Southern USA. {the others being the Chica, Juba {guiba} and Bamboula}.

Here's an excerpt from an essay by Nathaniel Hamilton Crowell, Jr entitled 'What is Congolese In Caribbean Dance' that is included in Caribbean Dance from Abakua to Zouk: How Movement Shapes Identity {Susanna Sloat, editor; University of Florida, 2002; p.15}:

"A description of thee calenda as danced in the French West Indies at the end of the eighteenth century states:

One male and one female dancer, or an equal number of dancers of each sex push to the middle of the circle and begin to dance, remaining in pairs, This repetitious dance consists of a very simple step where, as in the "Anglais" one alternatively extends each foot and withdrwas it, tapping several times with the heel and toe. All one sees is the man spinning himself or swirling around his partner, who, herself, also spins and moves about, unless one is to count the raising and lowering of the arms of the dancerrs who hold their elbows close to their sides with the hands almost clenched. The woman holds both ends of a kerchief which she rocks from side to side. When one has not witnessed it himself, it is hard to believe how lively and animated it is as well as how the rigourous following of the meter gives it such grace. {Moreau de St Mery, quoted in Emery, 1988, 22-23"

-snip-

"Emery" is Lynne Fauley Emery, author of "Black Dance from 1619 To Today", Second Revised Edition;Princeton Book Co. ]I was delighted to find this book at a used book store!]

****

As a theory that might or might not have any 'legs', I'm wondering if the 'Criole Candjo' {who} is sort of a [black] Creole dandy who charms and cajoles women by his dancing"...and is also called "koundjo (in the West Indies Candio or Candjo)" might refer to the Ghanaian Akan day name "Kwadwo" which is more commonly written as "Cudjo" and means "male born on Monday". The Ewe form of this name is "Coujoe" and also means "male born on Monday" *

Has anyone else made a connection between that rather widely used day name {particularly during 17th and 18th century slavery} and the name of that dance as noted by Lafcadio Hearn?

* "Kofi" {male born on Friday} was another common Akan day name found among enslaved Black men in the Caribbean and the USA..This name eventually became "Cuff"; and "Coffee". "Kwaku" [and its variant "Quack"] was another common Akan name {male born on Wednesday} that is found in slave records.

Perhaps because they did not sound as much like "English" names", the other Akan male day names don't appear as ofren in slave records "Kwabena" ["Kobena"; though this might have been transformed to "Ben"] {male born on Tuesday}; "Kwame" {male born on Saturday, "Kwesi" {male born on Sunday} and "Yao" ["Yaw"] {male born on Thursday}.

The retention of female Akan names is a whole 'nother subject.

See this list of Akan female day names:
Sunday {Esi} [which became "Essie"??]; Monday {Adwoa}; Tuesday
{Abena}; Wednesday {Ekua}; Thursday {Yaa} ; Friday {Efua};
and Saturday {Ama}[could this be one explaination for the Afrian American custom still practiced today of calling little girls "Mama"???]   



Azizi Powell