The recent Dylan programmes, and the old debate surrounding Dylan plugging in and going electric, started me thinking about "the sound" of live rock music in the 60s. I remember that me and my mates were never happy with sound we heard at live performances and always wondered why bands couldn't achieve a sound similar to that which we heard on our record machines. Indeed, it wasn't until I heard Santana in the early 70s that I realised that bands were able to achieve a "record quality" sound. Now - back to Dylan, are there any bootlegs - taped from the audience - of Dylan at his infamous early electric gigs; for example, Newport or Manchester, which would allow us an idea of just what the audience could - or couldn't - hear.