Well, if you get through all of that, and manage to listen to it ...

I tried to approach it as if I were a general Radio 3 listener, not someone interested in folk music, and overall I thought it worked well. The unusual version of "Jerusalem" struck me as eye catching (ear catching?) and I think it was a good idea to leave the Sam Larner/Walter Pardon stuff to quite late in the show to allow people to acclimatise a little. A lot of the earlier work was musically complex, which I think would appeal more to the general listener.

There was only one song, near the end, that I thought some might find too long and boring, and while I liked the idea of merging the traditional 'Lofty Tall Ship' with a modern interpretation, I don't it worked that well in practice.