When Tommy Peoples escaped the clutches of Green Linnet he wrote a tune Don't Touch that Green Linnet, named after a small bird to which innocent children get too close to, unaware of its voraciousness.

Who noticed the supreme irony of this from the DMGI site: 'The digital music marketplace is a great way for consumers everywhere to find and experience all types of music, including Celtic'?

Green Linnet (USA) cheats artists of their royalties in much the same despicable way as Celtic Music (UK). Will this change of 'ownership' make it any more likely that artists will get what's due to them?