No....Not much anyway.....Except that Clayton and a boatload of others including Woody were not above dipping into the past for both inspiration and tunes. We have had this discussion before but there is a good little section on DTT at the "Expecting Rain website which I like:

Original song: Scarlet Ribbons For Her Hair (trad),
Who'll Buy You Ribbons When I'm Gone (Paul Clayton)
Dylan song: Don't Think Twice, It's Alright (October 1962)
Paul Clayton based his own composition on the traditional song "Scarlet Ribbons For Her Hair," and Dylan's song could have been based on either or both. Clayton obviously felt that his song was where Dylan had got it, and had his lawyers make inquiries. According to Robert Shelton, "Clayton and Dylan had an amicable legal tiff, settling without rancor out of court." (No Direction Home by Robert Shelton, page 156).
Johnny Cash's "Understand Your Man" is sometimes cited as an influence on "Don't Think Twice," but actually that song was also based on "Scarlet Ribbons For Her Hair," hence the similarities.

It ain't no use to sit and sigh now, darlin, And it ain't no use to sit and cry now, T'ain't no use to sit and wonder why, darlin, Just wonder who's gonna buy you ribbons when I'm gone.
Who's Goin' Buy You Ribbons When I'm Gone?

It ain't no use to sit and wonder why, babe It don't matter, anyhow An' it ain't no use to sit and wonder why, babe If you don't know by now
Don't Think Twice, It's Alright

So I'm walkin' down that long, lonesome road, You're the one that made me travel on, But still-I-can't-help wonderin' on my way, Who's gonna buy you ribbons when I'm gone?
Who's Goin' Buy You Ribbons When I'm Gone?

I'm walkin' down that long, lonesome road, babe Where I'm bound, I can't tell But good-bye's too good a word, gal So I'll just say fare thee well
Don't Think Twice, It's Alright

While Dylan's debt is clear here, the actual achievement of "Don't Think Twice, It's Alright" far outstrips its precursors. This is one of the finest examples of the kind of song in which the narrator is lying to himself and unknowingly telling far more of his emotional struggles than he himself is aware of. Other notable examples of this type of song would include Hoagy Carmichael's "I Get Along Without You Very Well (Except Sometimes)," Loudon Waiwright III's "I'm Alright," Dylan's own "Most of the Time," and almost the entire output of Randy Newman.

Spaw