Here's the missing post from my database, but where is it in the DT?

GOVERNOR AL SMITH FOR PRESIDENT
Carolina Night Hawks
Sung to the tune of "Whitehouse Blues"
Transcription 12-Stringer and Richie:

(Fiddle)

Down in the White House, preparing for his rest
Al and his buddies are doing their best
He'll win, bound to win

Hoover in the northland he's firing his guns;
Smith in Dixie is winning everyone.
Hard to beat, he's hard to beat.

(Fiddle)

You hear people shouting, "No booze!" they say,
It's running free now, you can get it any day,
From bootleggers and killers too

The sugar that they make now will make you bounce around
The brandy too will put you flat on the ground
Bad stuff, hard to drink

(Fiddle)

I won't be long now 'till she will be free
Then they'll make corn liquor as pure as can be
Free from lye, and sugar too.

When booze went out, we didn't think then
That we would ever get together back again
She's coming back, back again.

(Fiddle)

Let's nominate Al Smith, nominate I say
That he'll find it through on election day
Yes through, all the way.

He made a good governor you'll have to agree
He'll make a good president as good as can be
Yes he will, yes he will.

(Fiddle)

Let's nominate Al Smith, nominate I say
That he'll find it through on election day
Yes through, all the way.

The same day marked the recording debut of a third band from Ashe County known as the Carolina Night Hawks, who arrived in Atlanta prepared with an original song promoting the Candidacy of New York governor Al Smith in the upcoming 1928 presidential election. Smith was the leading contender for the Democratic nomination, and advocated the repeal of Prohibition. The song, entitled simply Governor Al Smith for President, was penned by the group's banjoist Donald Thompson, and sung in a high tenor by mandolinist Ted Bare to the tune of White House Blues. Providing the instrumental lead was 15-year-old Howard Miller on fiddle, backed on guitar by his father, Charles Miller. Charles, born in 1887 along Stagg Creek near Comet, North Carolina, had learned to play fiddle from his father, Monroe Miller. By the mid-1920s, the Millers had teamed with Ted Bare, playing for box suppers and square dances throughout the Lost Provinces. In 1927 they were joined by Donald Thompson, a school teacher and talented songwriter from Laurel Springs, who played both fiddle and banjo.
Of the four songs recorded by the Night Hawks, only Thompson's composition was issued by Columbia, released in time to exploit Al Smith's wave of popularity.

Donald Thompson later recalled the recording session: We went in a Buick and they paid all expenses. We got to Atlanta and went right to the studio building. We didn't know anything about recording, never even seen a studio. A fellow meet us and took us to a room and said we could start practicing, so we did. Finally the guy came back and took us into the studio. There was a whole jug of whiskey sitting there, and he said, "Do you all want a nip?"
Well, Ted took a nip, but the rest of us didn't. Ted took a little but not enough to hurt him. Then Ted, Howard, and Mr. Miller got up close to the microphone, and they put me about eight feet behind. That banjo was loud, you know. Then they said, "Now you watch the light. When the light comes on, you start."
So we watched, and when it came on we just started and went straight on through and never made an error. We never had to repeat a single song. I wasn't a bit nervous when we went in there, and the rest weren't either. Old Ted just went right into it!
After we got back home, they sent us checks. They paid us around $100 apiece and expenses and all that. We had to eat, you know. They paid that too. We had a good time!
I was a Democrat then, I'm a Democrat now! Dyed in the wool! I was hoping our record would help Al Smith, but I don't think it ever got far enough along to help him much. He got defeated. Even so, I think we did a pretty good job on our record. When we finished recording, they played it back to us, and it sounded mighty good.