Thanks, Azizi.

This is an example of how a spiritual can pop out of the past. I can't know for sure if this IS one of those, but it illustrates the difficulty of "tracing" an "attributed" song. It also evinces the musician's approach of just DOING it and not worrying about the origin because (A) the song stands on its own and (B) because the singer's relationship with the origin is an internal experience (and (C) sometimes a mystical one).

When I songlead/teach a spiritual or a song styled as a spiritual, I start out (just like Son does in this video), singing both the call and the response parts and using body language to point up which is which. Where Son leaves off in this video (because it is, after all, a performance), I go on (because I am, after all, songleading) to get the people involved in the responses.

For a performer it's the whole, many-layered experience of the performance that matters. For me, when I songlead, it's about the whole experience of the interactivity. "Interactivity" (what a sterile term for a richly organic complexity) was one of the main thrusts of the spirituals, among the people who originated them.... In that interactivity I feel (organically) the privilege of being able to share at least that much with the originators.

~Susan