Well, of course, Black Joak is qute obtusely smutty and all about people doing what they do.
It's going to feature on the next Morris On recording by the Jim Moray 3: Black Joak, so it's bang up to date.

I've defined what f*lk music is, many times. If you have any interest in knowing what I said, look it up. It was mainly in the context of what tossers like Smoothops try to lay down in the context of the Folk Awards and is therefore of little consequence.

However, in repy to the Californian person above who decries performance of Barbara Allen and The Golden Vanity, just what sort of venues are you frequenting at which audience's attention begin to roll? I wonder just how these amazing songs are being portrayed. These are two of he most significant songs in English social history. To become platitudinal, if people don't understand where they have come from, however can they know where they are going?