What I said about One In A Million is that Peggy Bateman behaved like a total arse towards the possibly dimwitted Billy Smith. I made no comment on the song itself other than that it makes better sense viewed in the context of Child #53.

The fact that the tracks are adjacent on The Lark Descending and that Chris Wood also performs them consecutively (given the strength) in live performance should be a bit of a clue.

I'm more than a bit bored by those who say "Oooh, isn't it nice?" It's a bit like judging Steeleye Span by All Around My Hat and pestering Spiers & Boden to do The Prickle Eye Bush.