Obviously the crisis Adolf was dealing with in the original movie was the breakout in the "Battle of the Bulge" if you study the map closely. I seem to remember watching the movie at some point in my life.

As for the captioned dialog there is one word which continued to re-occur which suggests the the captioner has a limited, if not bankrupt vocabulary. I've heard that there is a correlation between the act of sex and jazz and apparently Adolf was aware of this also (if "rock" is the music that equates with foreplay and "country" is post-coital then "jazz" is the act itself!).

Elvis had to have been a small child when Hitler was in power and how he had heard of him, I don't know. Was Elvis precocious? Did his career begin at an earlier date?

A sub-theme seems to be that Hitler did not care for the company of women, an indicator to some that indeed Hitler WAS the Anti-Christ. His casual use of blasphemy seems to bear this theme out, however his sexual fixation may have been for little boys and this would explain his desire for an Elvis impersonator.

Was this clip funny? I wouldn't know. You see, I have DIAL-UP and it took me half an hour to view the the whole thing and as you know, timing is an important element of comedy. I hate dial-up.