A few truly spine-tingling moments too, like Sue's 'Blackwaterside'. People in the adjoining bar stopped talking to have a listen.

Eventually!

(My own contribution had a full complement of noises off, which can be a bit irksome when you're halfway through a Child ballad. But Sue's Blackwaterside was a bit good, it has to be said - like Anne Briggs's recording, only better.)

Rosie - back in my unreformed pre-trad days I did an unaccompanied version of Suedehead. "Why do you telephone?" Wonderful.