I am a veteran of the US Irish Dance Parents scene. I spent $1200 for the dress, daughter has the curls hairpiece, and she wears the socks. The theory as to where the hell all this regalia comes from that I heard was that it all started as a way to draw attention to yourself. For those not familiar with the dance competitions at the Feis', there are several dancers on the platform at any given time, and one adjudicator. Any number of things are done to get them to look at you. In a perfect world that would be technique, but the costumes and regalia seem to help. And it has gotten out of hand. I have also seen a lot of subtle pushes and crowding in some students technique. Clearly these are taught by teachers that want their students to take home trophies. Unfortunately, without the accoutrements, one simply is not as likely to place. I know some will say this is not so, but it is the case. The whole business has become more like American Idol than an exercise in culture. I, for one, do not like it. But my daughter loves going, and making friends, so there you are.

As to the rhythmic guitar and bouzouki in Irish music, it depends on the player, IMO. As long as the rhythm player understands his/her place in the music, then usually it is done well. If they think it is about them instead of the tune, then it becomes like Michael Flatley dancing ....

I also make a distinction on the type of venue/performance. If I am playing with a harp, flute, etc, in a concert venue, my role is different than if I am playing with a band at a pub or a dance where we are very uptempo and gregarious, if you will.

All the best,

Mick