I actually love this modulation, in its place, (my shorthand pet name for it is the "Honey Don't" chord change, after Carl Perkins' eponymous song which relies heavily on this particular modulation) and the other song which springs to mind which uses it is the Beatles' "I Will", right at the end.

It's a great modulation - as you say, in its place - and also comes in the closing bars of "Thanks For The Memory", to great effect.

But ye'll no find me playing it in Da Slockit!