I'll second what Peter had to say about Big Mick's d-chord abilities. From the slow evocative softly-plucked D, to the plaintive, folksy trill of the D7, to the soul-wrenching sadness of Dminor, Mick has truly mastered the D in all of it's sparkling facets. While lesser musicians struggle from buzzing C's, to finger cramping F bar chords, and questionable Asus chords, Big Mick has shown that there is a world of magic and complexity hidden within that most versatile of all chords, the D.