I was looking for the chords to "the legend of the pale-eyed companion" and came across this thread. I too became a fan of LH when he played the old Freight and Salvage (when it was north of University on San Pablo Ave). I never understood why he was not more popular--his lyrics were powerful, his melodies unusual and his chord changes a whole lot more complex than most of his contemporaries. At one memorable performance he was accompanied by a woman flautist who did some spectacular solos both on pale-eyed companion and on "Tornado's comin' down--I swear that when she played, the lights in the place changed to that pale-green you don't want to see if you are in tornado country! I am happy to hear that he landed well. If anyone knows the changes LH used on pale-eyed companion, especially in the bridge with the cow-bells, I'd be much obliged.