The ultimate purpose of music criticism should be education. Alternatives in
evaluation should be pointed out. For example, does the music have a historical base?
Can it be contrasted by other forms? Do the goals of the performers or composers
meet their personal criteria? Is there new ground being broken artistically? Does the musical artist represent a trend or style and if so, what is it? What have been other
views articulated about the musical style or product? Why should one listen to it?
How is it significant in contemporary times?   

Frank Hamilton