PEGGY SEEGER FAREWELL BOSTON CONCERT Tomorrow night at 7:30 at International Community Church, 557 Cambridge St., Allston. Katie McD opens. Tickets $20 at 617-265-9200.
Asked how she would describe her long, rich, and profoundly important career, Peggy Seeger is stumped. "Whoo,'' she says, and "Oh, my.'' Then the 74-year-old folk singer answers slowly, intimately.
"First of all,'' says Seeger, who is returning to Britain after living in Boston for four years, "I take utter and complete pleasure in singing the songs. One of the nicest things about folk songs is that I can sing them by myself, wherever I am. And the words and music are so completely physically satisfying to me that you just want to share that. Essentially what you're trying to do is wedge these songs into other people's heads, the way they're wedged into yours.''
Peggy Seeger, song-wedger. It is revealing that she presents herself this simply, and not as the musical revolutionary she is.
Seeger, who gives a farewell concert tomorrow night at International Community Church in Allston, began her career in the early 1950s, when female musicians were still expected to perform in chiffon gowns, singing daintily while the menfolk played the instruments. But she was a multi-instrumentalist, accompanying herself on guitar, banjo, dulcimer, autoharp, piano, and concertina. And her haunting, silk-and-steel voice was anything but dainty.
She played a pivotal role in launching folk revivals in the United States and Britain; helped popularize Appalachian folk music; wrote folk ballads so organic, like "The Ballad of Spring Hill,'' that many believe they're traditional, and political songs that are sung on picket lines and at protest rallies. In one of musical history's sweetest serendipities, she is both the author of the song that helped launch the feminist movement, "Gonna Be an Engineer,'' and the subject of Ewan MacColl's adoring love song, "The First Time Ever I Saw Your Face.''
She was certainly to the folk manner born, raised in the Seeger family with musician brother Mike and famous stepbrother Pete. Her parents were ethnomusicologist Charles Seeger and Ruth Crawford Seeger, an acclaimed modernist composer who wrote brilliantly simple transcriptions for seminal folk songbooks by John and Alan Lomax, B.A. Botkin, Carl Sandburg, and her own children's books.
"I just osmosed folk music,'' Seeger says with a laugh. "It was sponged onto me as a child. There were no radios or televisions in our home, but you could always hear music. My mother taught piano, so there was always someone playing in the daytime. And in the evenings, there was lots of piano playing or singing, and people visiting, like Woody [Guthrie] and Lead Belly [Ledbetter].''
After two years at Radcliffe College in Cambridge, Seeger rambled through Europe. Folklorist Alan Lomax was trying to create a British version of the Weavers, Pete Seeger's hugely successful folk group, and asked her to join. The band bombed, but introduced her to MacColl, the British folk lion...