Next he mentions halyard shanties.

//
Closely resembling them, but nevertheless advancing a step in the direction of windlass songs, were those pulling songs which consisted of four lines instead of two, the words of both the choruses being the same, but the melody of each being different. Of these the two following were often heard:

I'm bound away to leave you
Good-by, my love, good-by
I never will deceive you
Good-by, my love, good-by...

Come get my clothes in order
Shallow, Shallow, Brown.
The packet sails tomorrow.
Shallow, Shallow, Brown.

Finally there were pulling songs with a double chorus, each chorus differing both in words and melody from the other. These were in structure precisely the same as the windlass songs, but it was very "bad form" to use them except for pulling purposes. It is one of these that is the sole surviving song which steam-ship crews ever use. They would have shown better taste had they chosen for preservation the ballad of Jean Francois, whoever he may have been.

O drive her, captain, drive her!
Way-a-yah!
O drive her, captain, drive her!
To my Johnnie Franswaw.
//

GOODBYE MY LOVE was mentioned once earlier (1877).
This is the first time for SHALLOW BROWN.

BONEY was also in Adams, however he says it referred to Bonaparte (whereas Alden is not positive).

He never mentions "the sole surviving song which steam-ship crews... use". ?? What was it, and what did they use it for?