Joking apart, then: I have a (now dusty) Penguin copy, BTNG, and read part of it about a decade ago.

Alan: that "Chords in Folk?" thread eventually (and I was by no means Defoe's Crusoe) concluded "with the understanding that English folk-music, for centuries, has entertained people via, mostly, the repetition of tunes, in both song and dance: more-sophisticated polyphony and chords being found, rather, in church and court - eventually, i.e" (here).