I find it depends on the room. ..The initial pitch I mean. A big room tends to mean a louder vocal production and a slightly higher pitch. The problem with over concentrationg on pitch is that you tend to lose sight of the narrative, and that is more important. However I would still like to get that perfect pitch. Since 'testing' Harry Cox. I have found similar tonal clarity with Jumbo and Velvet Brightwell, and Cyril Poacher, even on the the long and vocally demanding Broomfield Wager. For some time I have been wondering if having a good voice is one thing, but being born to the tradition, is quite another, and there is only so much you can learn and reproduce.
Still hopeful though.